Pourquoi le romancier-poète imagine-t-il une invisible mémoire?

Pourquoi le romancier-poète imagine-t-il une invisible mémoire?

The article deals with Chamoiseau’s Creole imaginary. The text especially presents and analyzes certain important issues with which Chamoiseau tries to cope all his life: the imaginary of Caribbean memory. In the novels Chronicle of the Seven Sorrows (1986), Slave Old Man (1997), Biblical Tales of t...

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Bibliographic Details
Main Author: Milena Fučíková
Format: Article
Language:ces
Published: Univerzita Karlova, Filozofická Fakulta 2020-10-01
Series:Svět Literatury
Subjects:
patrick chamoiseau
édouard glissant
imaginary
memory
creolness
image of the night
gilbert durand
Online Access:https://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2020/10/Milena_Fuc%C3%ADkov%C3%A1_148-159.pdf
id doaj-1517a31ef40b452fb9c844f0049c7230
record_format Article
spelling doaj-1517a31ef40b452fb9c844f0049c72302020-11-25T04:01:28ZcesUniverzita Karlova, Filozofická FakultaSvět Literatury0862-84402336-67292020-10-013014815910.14712/23366729.2020.3.13Pourquoi le romancier-poète imagine-t-il une invisible mémoire?Milena Fučíková 0Université CharlesThe article deals with Chamoiseau’s Creole imaginary. The text especially presents and analyzes certain important issues with which Chamoiseau tries to cope all his life: the imaginary of Caribbean memory. In the novels Chronicle of the Seven Sorrows (1986), Slave Old Man (1997), Biblical Tales of the Last Gestures (2002), A Sunday in the Dungeon (2007), the notion of invisible memory is the central topic. The French humanist author presents a similar concept of approach to memory like Édouard Glissant (Caribbean Discourse). https://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2020/10/Milena_Fuc%C3%ADkov%C3%A1_148-159.pdfpatrick chamoiseauédouard glissantimaginarymemorycreolnessimage of the nightgilbert durand
collection DOAJ
language ces
format Article
sources DOAJ
author Milena Fučíková
spellingShingle Milena Fučíková
Pourquoi le romancier-poète imagine-t-il une invisible mémoire?
Svět Literatury
patrick chamoiseau
édouard glissant
imaginary
memory
creolness
image of the night
gilbert durand
author_facet Milena Fučíková
author_sort Milena Fučíková
title Pourquoi le romancier-poète imagine-t-il une invisible mémoire?
title_short Pourquoi le romancier-poète imagine-t-il une invisible mémoire?
title_full Pourquoi le romancier-poète imagine-t-il une invisible mémoire?
title_fullStr Pourquoi le romancier-poète imagine-t-il une invisible mémoire?
title_full_unstemmed Pourquoi le romancier-poète imagine-t-il une invisible mémoire?
title_sort pourquoi le romancier-poète imagine-t-il une invisible mémoire?
publisher Univerzita Karlova, Filozofická Fakulta
series Svět Literatury
issn 0862-8440
2336-6729
publishDate 2020-10-01
description The article deals with Chamoiseau’s Creole imaginary. The text especially presents and analyzes certain important issues with which Chamoiseau tries to cope all his life: the imaginary of Caribbean memory. In the novels Chronicle of the Seven Sorrows (1986), Slave Old Man (1997), Biblical Tales of the Last Gestures (2002), A Sunday in the Dungeon (2007), the notion of invisible memory is the central topic. The French humanist author presents a similar concept of approach to memory like Édouard Glissant (Caribbean Discourse).
topic patrick chamoiseau
édouard glissant
imaginary
memory
creolness
image of the night
gilbert durand
url https://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2020/10/Milena_Fuc%C3%ADkov%C3%A1_148-159.pdf
work_keys_str_mv AT milenafucikova pourquoileromancierpoeteimaginetiluneinvisiblememoire
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