The Theatricality of the <i>Punctum</i>: Re-Viewing <i>Camera Lucida</i>
I first encountered Roland Barthes’s Camera Lucida (1980) in 2012 when I was developing a performance on falling and photography. Since then I have re-encountered Barthes’s book annually as part of my practice-as-research PhD project on the relationships between performance and photography. This res...
Main Author: | Harry Robert Wilson |
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Format: | Article |
Language: | English |
Published: |
Performance Philosophy
2017-06-01
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Series: | Performance Philosophy |
Subjects: | |
Online Access: | https://www.performancephilosophy.org/journal/article/view/126 |
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