Presenas do sensvel nos processos interacionais Sensitive presences on interactional processes

• Main Author: Kati Eliane Caetano
• Format: Article
• Language: English
• Published: Pontíficia Universidade Católica de São Paulo 2012-01-01
• Series: Galáxia
• Online Access: http://revistas.pucsp.br/index.php/galaxia/article/view/6647

O acionamento de componentes sensveis nas relaes comunicacionais, seja sob a ao de estratgias miditicas ou como decorrncia da estrutura interacional inerente s trocas em redes, reanima o debate sobre o papel da experincia esttica na comunicao, assim como, paradoxalmente, seu desdobramento na afirmao de uma crise da experincia esttica. Visando a superar uma oposio simplista entre sensao e cognio, o presente artigo retoma dois conceitos fundamentais de definio do esttico na comunicao, para redimension-los no mbito daquela polmica, quais sejam, o de estesia e, o de excepcionalidade, que passam a ser tratados nos termos de uma inteligibilidade do sensvel. Desse ponto de vista, a questo do sentido no se traduz em leituras de carter hermenutico; compreende, sim, formas de presena no mundo de que derivam regimes de significao que se manifestam sobre um modo musical e necessariamente interacional.<br>The activation of sensitive components in communication relations, either under the action of mediatic strategies or as a result of the interactional structure inherent to network exchanges, reinvigorates the discussion about the role of aesthetic experience in Communication, as well as, paradoxically, its unfolding in the assertion of a crisis of the aesthetic experience. Aiming to overcome a simplistic opposition between sensation and cognition, the present study recaptures two fundamental concepts of the aesthetic definition in communication, in order to re-dimension them in the ambit of that polemic, may it the one of aesthesia or the one of exceptionality, which are then treated in terms of an intelligibility of the sensitive. From this point of view, the question of sense is not translated into hermeneutical character readings; it comprehends indeed forms of presence in the world from which regimes of signification derive, and which is manifested over a musical and necessarily interactional way.