Actualization and Deactualization in Art Studies
What is a national theoretical tradition in art history? Description of the history of art theory is based on the experience of the Russian Institute of Art History (The Zubov Institute), which was founded as a private educational institution and became a center of art studies. In fact, art theory a...
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Rosenberg & Sellier
2018-04-01
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Series: | Rivista di Estetica |
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Online Access: | http://journals.openedition.org/estetica/2687 |
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doaj-13c87d77e8914101a7ab1d8a70bdd1e42020-11-25T02:44:49ZengRosenberg & SellierRivista di Estetica0035-62122421-58642018-04-016711713510.4000/estetica.2687Actualization and Deactualization in Art StudiesAnna TroitskayaWhat is a national theoretical tradition in art history? Description of the history of art theory is based on the experience of the Russian Institute of Art History (The Zubov Institute), which was founded as a private educational institution and became a center of art studies. In fact, art theory and art history was actualized in Russia largely thanks to the Institute of Art History. Valentin Zubov and his colleagues had introduced a new viewpoint on the history of art as an important and independent science with its specific place in Russian humanities. On the example of the Institute we examine the change of attitude to the science about art in the 1920-1930s, mostly under ideological pressure. The paperscrutinizes the process of actualization of a new branch of knowledge and its deactualization in the time when sociological method and Marxist theory became the basis for Soviet art studies. Thereby deactualization makes a non-ideological art theory one of cultural exclusion zones. Chang of scientific pragmatism in the field of art studies transforms its grammar and, in fact, destroys art studies themselves.http://journals.openedition.org/estetica/2687art theoryRussian Institute of Art History actualizationdeactualization cultural exclusion zones |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Anna Troitskaya |
spellingShingle |
Anna Troitskaya Actualization and Deactualization in Art Studies Rivista di Estetica art theory Russian Institute of Art History actualization deactualization cultural exclusion zones |
author_facet |
Anna Troitskaya |
author_sort |
Anna Troitskaya |
title |
Actualization and Deactualization in Art Studies |
title_short |
Actualization and Deactualization in Art Studies |
title_full |
Actualization and Deactualization in Art Studies |
title_fullStr |
Actualization and Deactualization in Art Studies |
title_full_unstemmed |
Actualization and Deactualization in Art Studies |
title_sort |
actualization and deactualization in art studies |
publisher |
Rosenberg & Sellier |
series |
Rivista di Estetica |
issn |
0035-6212 2421-5864 |
publishDate |
2018-04-01 |
description |
What is a national theoretical tradition in art history? Description of the history of art theory is based on the experience of the Russian Institute of Art History (The Zubov Institute), which was founded as a private educational institution and became a center of art studies. In fact, art theory and art history was actualized in Russia largely thanks to the Institute of Art History. Valentin Zubov and his colleagues had introduced a new viewpoint on the history of art as an important and independent science with its specific place in Russian humanities. On the example of the Institute we examine the change of attitude to the science about art in the 1920-1930s, mostly under ideological pressure. The paperscrutinizes the process of actualization of a new branch of knowledge and its deactualization in the time when sociological method and Marxist theory became the basis for Soviet art studies. Thereby deactualization makes a non-ideological art theory one of cultural exclusion zones. Chang of scientific pragmatism in the field of art studies transforms its grammar and, in fact, destroys art studies themselves. |
topic |
art theory Russian Institute of Art History actualization deactualization cultural exclusion zones |
url |
http://journals.openedition.org/estetica/2687 |
work_keys_str_mv |
AT annatroitskaya actualizationanddeactualizationinartstudies |
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