Identity of the Vietnamese narrative culture: archetypal journeys from folk narratives to fantasy short stories
Abstract The journey to another world is an archetype that exists in the forms of marvelous motifs and is also a typical narrative formula with the purpose of creating diverse versions of Vietnamese folk narratives. The archetypal journey was later reborn and expanded in medieval literature as Vietn...
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2021-01-01
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Series: | Humanities & Social Sciences Communications |
Online Access: | https://doi.org/10.1057/s41599-020-00697-3 |
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doaj-13c62ae8890d4917b3474e8e5c054c8e2021-01-17T12:05:46ZengSpringer NatureHumanities & Social Sciences Communications2662-99922021-01-01811910.1057/s41599-020-00697-3Identity of the Vietnamese narrative culture: archetypal journeys from folk narratives to fantasy short storiesNguyen Thi Kim Ngan0Nguyen Thi Thu Hang1Le Van Trung2Department of Literature and Linguistics, University of Education, Hue UniversityDepartment of Literature and Linguistics, University of Education, Hue UniversityFaculty of Primary Education, University of Science and Education, University of DanangAbstract The journey to another world is an archetype that exists in the forms of marvelous motifs and is also a typical narrative formula with the purpose of creating diverse versions of Vietnamese folk narratives. The archetypal journey was later reborn and expanded in medieval literature as Vietnamese culture, which has become more complex over time. With the aim of discovering the cultural identity of Vietnamese narratives using sociohistorical approaches and discussing the archetype grounded in specific contexts, this research focuses on journey motifs to the upper and lower world in folk narratives in early collections written in Han characters and in related historical and cultural bibliographies. At the same time, by analyzing the fantasy short stories in Excursive Notes on Weird Stories (Truyen ky man luc) by Nguyen Du, this study aims to discover the process of acculturation and creation of materials and motifs from folk narratives, and it discusses how these motifs have been adapted. This research reveals specific messages about the history, culture, era, voice and true identity of the medieval Vietnamese Confucian. Importantly, this study emphasizes the unification of spiritual power between folklore and Taoism and the powerful and influential competition between Taoism and Confucianism in medieval Vietnamese literature. The analysis shows that by recreating the motifs of the folk narratives, writers have built other world journeys to describe the hidden political discourses and religious conflicts in the thoughts of the human mind in the most ideal form.https://doi.org/10.1057/s41599-020-00697-3 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Nguyen Thi Kim Ngan Nguyen Thi Thu Hang Le Van Trung |
spellingShingle |
Nguyen Thi Kim Ngan Nguyen Thi Thu Hang Le Van Trung Identity of the Vietnamese narrative culture: archetypal journeys from folk narratives to fantasy short stories Humanities & Social Sciences Communications |
author_facet |
Nguyen Thi Kim Ngan Nguyen Thi Thu Hang Le Van Trung |
author_sort |
Nguyen Thi Kim Ngan |
title |
Identity of the Vietnamese narrative culture: archetypal journeys from folk narratives to fantasy short stories |
title_short |
Identity of the Vietnamese narrative culture: archetypal journeys from folk narratives to fantasy short stories |
title_full |
Identity of the Vietnamese narrative culture: archetypal journeys from folk narratives to fantasy short stories |
title_fullStr |
Identity of the Vietnamese narrative culture: archetypal journeys from folk narratives to fantasy short stories |
title_full_unstemmed |
Identity of the Vietnamese narrative culture: archetypal journeys from folk narratives to fantasy short stories |
title_sort |
identity of the vietnamese narrative culture: archetypal journeys from folk narratives to fantasy short stories |
publisher |
Springer Nature |
series |
Humanities & Social Sciences Communications |
issn |
2662-9992 |
publishDate |
2021-01-01 |
description |
Abstract The journey to another world is an archetype that exists in the forms of marvelous motifs and is also a typical narrative formula with the purpose of creating diverse versions of Vietnamese folk narratives. The archetypal journey was later reborn and expanded in medieval literature as Vietnamese culture, which has become more complex over time. With the aim of discovering the cultural identity of Vietnamese narratives using sociohistorical approaches and discussing the archetype grounded in specific contexts, this research focuses on journey motifs to the upper and lower world in folk narratives in early collections written in Han characters and in related historical and cultural bibliographies. At the same time, by analyzing the fantasy short stories in Excursive Notes on Weird Stories (Truyen ky man luc) by Nguyen Du, this study aims to discover the process of acculturation and creation of materials and motifs from folk narratives, and it discusses how these motifs have been adapted. This research reveals specific messages about the history, culture, era, voice and true identity of the medieval Vietnamese Confucian. Importantly, this study emphasizes the unification of spiritual power between folklore and Taoism and the powerful and influential competition between Taoism and Confucianism in medieval Vietnamese literature. The analysis shows that by recreating the motifs of the folk narratives, writers have built other world journeys to describe the hidden political discourses and religious conflicts in the thoughts of the human mind in the most ideal form. |
url |
https://doi.org/10.1057/s41599-020-00697-3 |
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