The Evolution of Aesthesis

Based on the understanding of aesthetics as the study of all processes and activities related to aesthesis in his original etymological sense as «sensibility», this paper argues that an evolutionary approach must follow the evolution of aesthesis from its inception. A degree of sensibility may perha...

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Main Author: Katya Mandoki
Format: Article
Language:English
Published: Rosenberg & Sellier 2013-11-01
Series:Rivista di Estetica
Online Access:http://journals.openedition.org/estetica/1441
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spelling doaj-13ae745019dd47b9b33b69a9fa98fc672020-11-25T01:51:42ZengRosenberg & SellierRivista di Estetica0035-62122421-58642013-11-015411713310.4000/estetica.1441The Evolution of AesthesisKatya MandokiBased on the understanding of aesthetics as the study of all processes and activities related to aesthesis in his original etymological sense as «sensibility», this paper argues that an evolutionary approach must follow the evolution of aesthesis from its inception. A degree of sensibility may perhaps be traced already at molecules sensing borders in DNA replication. The next stage, which may be defined as “cyto-aesthesis”, refers to evidence of cells’ actions to antigens, virus, enzymes or bacteria and other significant elements in the intercellular fluid by their receptors’ sensibility to ligands. Darwin explored plants’ irritability specifically at their tendrils and petioles and there are studies on their sensibility to surface, nutrients, touch, water, temperature, seasonal cycles, color, gravity, and light. All animal species, including human beings, have evolved a keen sensitivity to predators and mates upon which their survival depends following evolutionary priorities and conditions. There is consequently no particular experience that we may call «aesthetic experience», a redundant term, since the whole spectrum of activities and effects of various species’ sensibility involves experiencing the world, namely, aesthesis.http://journals.openedition.org/estetica/1441
collection DOAJ
language English
format Article
sources DOAJ
author Katya Mandoki
spellingShingle Katya Mandoki
The Evolution of Aesthesis
Rivista di Estetica
author_facet Katya Mandoki
author_sort Katya Mandoki
title The Evolution of Aesthesis
title_short The Evolution of Aesthesis
title_full The Evolution of Aesthesis
title_fullStr The Evolution of Aesthesis
title_full_unstemmed The Evolution of Aesthesis
title_sort evolution of aesthesis
publisher Rosenberg & Sellier
series Rivista di Estetica
issn 0035-6212
2421-5864
publishDate 2013-11-01
description Based on the understanding of aesthetics as the study of all processes and activities related to aesthesis in his original etymological sense as «sensibility», this paper argues that an evolutionary approach must follow the evolution of aesthesis from its inception. A degree of sensibility may perhaps be traced already at molecules sensing borders in DNA replication. The next stage, which may be defined as “cyto-aesthesis”, refers to evidence of cells’ actions to antigens, virus, enzymes or bacteria and other significant elements in the intercellular fluid by their receptors’ sensibility to ligands. Darwin explored plants’ irritability specifically at their tendrils and petioles and there are studies on their sensibility to surface, nutrients, touch, water, temperature, seasonal cycles, color, gravity, and light. All animal species, including human beings, have evolved a keen sensitivity to predators and mates upon which their survival depends following evolutionary priorities and conditions. There is consequently no particular experience that we may call «aesthetic experience», a redundant term, since the whole spectrum of activities and effects of various species’ sensibility involves experiencing the world, namely, aesthesis.
url http://journals.openedition.org/estetica/1441
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