La pratica attoriale in Richard Schechner: dalla sensazione all’essere. Sulle tracce della fenomenologia di Merleau-Ponty
Against Cartesian dualism and in line with the general twentieth-century rediscovery of body and perception, this paper aims to examine the role of senses for the performer, as presented by Richard Schechner’s theory of performance. Such a theory finds its legitimacy in the pages of the philosopher...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Milano
2013-04-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/2933 |
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doaj-132a11ea449a40d4892f7c465196f25f2020-11-25T03:00:02ZengUniversità degli Studi di MilanoItinera2039-92512013-04-01510.13130/2039-9251/2933La pratica attoriale in Richard Schechner: dalla sensazione all’essere. Sulle tracce della fenomenologia di Merleau-PontyMabel Giraldo0Università degli Studi di Bergamo Against Cartesian dualism and in line with the general twentieth-century rediscovery of body and perception, this paper aims to examine the role of senses for the performer, as presented by Richard Schechner’s theory of performance. Such a theory finds its legitimacy in the pages of the philosopher Mearleu-Ponty, and in the priority the philosopher assigned to perception and senses as sources of knowledge, as well as opening of consciousness to the world. https://riviste.unimi.it/index.php/itinera/article/view/2933 |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Mabel Giraldo |
| spellingShingle |
Mabel Giraldo La pratica attoriale in Richard Schechner: dalla sensazione all’essere. Sulle tracce della fenomenologia di Merleau-Ponty Itinera |
| author_facet |
Mabel Giraldo |
| author_sort |
Mabel Giraldo |
| title |
La pratica attoriale in Richard Schechner: dalla sensazione all’essere. Sulle tracce della fenomenologia di Merleau-Ponty |
| title_short |
La pratica attoriale in Richard Schechner: dalla sensazione all’essere. Sulle tracce della fenomenologia di Merleau-Ponty |
| title_full |
La pratica attoriale in Richard Schechner: dalla sensazione all’essere. Sulle tracce della fenomenologia di Merleau-Ponty |
| title_fullStr |
La pratica attoriale in Richard Schechner: dalla sensazione all’essere. Sulle tracce della fenomenologia di Merleau-Ponty |
| title_full_unstemmed |
La pratica attoriale in Richard Schechner: dalla sensazione all’essere. Sulle tracce della fenomenologia di Merleau-Ponty |
| title_sort |
la pratica attoriale in richard schechner: dalla sensazione all’essere. sulle tracce della fenomenologia di merleau-ponty |
| publisher |
Università degli Studi di Milano |
| series |
Itinera |
| issn |
2039-9251 |
| publishDate |
2013-04-01 |
| description |
Against Cartesian dualism and in line with the general twentieth-century rediscovery of body and perception, this paper aims to examine the role of senses for the performer, as presented by Richard Schechner’s theory of performance. Such a theory finds its legitimacy in the pages of the philosopher Mearleu-Ponty, and in the priority the philosopher assigned to perception and senses as sources of knowledge, as well as opening of consciousness to the world.
|
| url |
https://riviste.unimi.it/index.php/itinera/article/view/2933 |
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AT mabelgiraldo lapraticaattorialeinrichardschechnerdallasensazioneallesseresulletraccedellafenomenologiadimerleauponty |
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