La pratica attoriale in Richard Schechner: dalla sensazione all’essere. Sulle tracce della fenomenologia di Merleau-Ponty
Against Cartesian dualism and in line with the general twentieth-century rediscovery of body and perception, this paper aims to examine the role of senses for the performer, as presented by Richard Schechner’s theory of performance. Such a theory finds its legitimacy in the pages of the philosopher...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Milano
2013-04-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/2933 |
| Summary: | Against Cartesian dualism and in line with the general twentieth-century rediscovery of body and perception, this paper aims to examine the role of senses for the performer, as presented by Richard Schechner’s theory of performance. Such a theory finds its legitimacy in the pages of the philosopher Mearleu-Ponty, and in the priority the philosopher assigned to perception and senses as sources of knowledge, as well as opening of consciousness to the world.
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| ISSN: | 2039-9251 |