La pratica attoriale in Richard Schechner: dalla sensazione all’essere. Sulle tracce della fenomenologia di Merleau-Ponty

Against Cartesian dualism and in line with the general twentieth-century rediscovery of body and perception, this paper aims to examine the role of senses for the performer, as presented by Richard Schechner’s theory of performance. Such a theory finds its legitimacy in the pages of the philosopher...

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Bibliographic Details
Main Author: Mabel Giraldo
Format: Article
Language:English
Published: Università degli Studi di Milano 2013-04-01
Series:Itinera
Online Access:https://riviste.unimi.it/index.php/itinera/article/view/2933