Air Flows: Breath, Voice, and Authenticity in Three Recordings
Miley Cyrus inhales audibly before launching into the final chorus of “Wrecking Ball”. Cellist David Soyer grunts as he tears through the Beethoven’s Grosse Fuge. Saxophonist Colin Stetson’s loud circle breathing on “Hunted” pushes the limits of the physically possible. These recordings all contain...
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| Format: | Article |
| Language: | English |
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International Association for the Study of Popular Music
2016-01-01
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| Series: | IASPM Journal |
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| Online Access: | https://iaspmjournal.net/index.php/IASPM_Journal/article/view/780/pdf |