L’Apocalypse: une idée antique ambiguë
In is generally considered that the apocalyptic genre emerged within the vetero-and inter-testamentary literatures between the 2ndcentury BC and the 1stcentury AD. Stemming from the Greek word apokalypsis, meaning “disclosure” or “revelation”, the idea of apocalypse, originating fr...
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Editura Muzeul National al Literaturii Romane
2020-05-01
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Online Access: | https://www.diversite.eu/pdf/17_1/DICE_17_1_Full_Text_p7-p18-Baudouin-DECHARNEUX.pdf |
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doaj-12bbe4d77bf94adcb07442ff2ed294512020-11-25T03:00:55ZdeuEditura Muzeul National al Literaturii RomaneDiversitate si Identitate Culturala in Europa2067-09312020-05-01171718L’Apocalypse: une idée antique ambiguë Baudouin DECHARNEUX0Prof. ULB –Maître de Recherches du FNRSMembre de l’Académie Royale de Belgique Membre associé de l’Académie d’AthènesIn is generally considered that the apocalyptic genre emerged within the vetero-and inter-testamentary literatures between the 2ndcentury BC and the 1stcentury AD. Stemming from the Greek word apokalypsis, meaning “disclosure” or “revelation”, the idea of apocalypse, originating from the Christian horizon, suggests that a special message was delivered to a person (a visionary) so that he should testify to the accomplished or unaccomplished deeds which remained a secret for most people. The theme of the small book that the visionary eats as if in an attempt to incorporate the Scriptures seems to point out that he had access to“God’s hidden agenda” (Ez 3, 3; Ap 10, 10); a revelation which, at first, is sweet as honey, but then brings about bitterness. The eschatological dimension, the mythological symbolic narration revealing the end of times, is predominant; these poetic texts, sustained by powerful symbolic images, often mysterious and enigmatic, are highly epic, thus disrupting the literary conventions.https://www.diversite.eu/pdf/17_1/DICE_17_1_Full_Text_p7-p18-Baudouin-DECHARNEUX.pdfthe apocalypseapocalyptic textsjean l’ancienambiguityorigensaint-lazare d’autun. |
collection |
DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Baudouin DECHARNEUX |
spellingShingle |
Baudouin DECHARNEUX L’Apocalypse: une idée antique ambiguë Diversitate si Identitate Culturala in Europa the apocalypse apocalyptic texts jean l’ancien ambiguity origen saint-lazare d’autun. |
author_facet |
Baudouin DECHARNEUX |
author_sort |
Baudouin DECHARNEUX |
title |
L’Apocalypse: une idée antique ambiguë |
title_short |
L’Apocalypse: une idée antique ambiguë |
title_full |
L’Apocalypse: une idée antique ambiguë |
title_fullStr |
L’Apocalypse: une idée antique ambiguë |
title_full_unstemmed |
L’Apocalypse: une idée antique ambiguë |
title_sort |
l’apocalypse: une idée antique ambiguë |
publisher |
Editura Muzeul National al Literaturii Romane |
series |
Diversitate si Identitate Culturala in Europa |
issn |
2067-0931 |
publishDate |
2020-05-01 |
description |
In is generally considered that the apocalyptic genre emerged within the vetero-and inter-testamentary literatures between the 2ndcentury BC and the 1stcentury AD. Stemming from the Greek word apokalypsis, meaning “disclosure” or “revelation”, the idea of apocalypse, originating from the Christian horizon, suggests that a special message was delivered to a person (a visionary) so that he should testify to the accomplished or unaccomplished deeds which remained a secret for most people. The theme of the small book that the visionary eats as if in an attempt to incorporate the Scriptures seems to point out that he had access to“God’s hidden agenda” (Ez 3, 3; Ap 10, 10); a revelation which, at first, is sweet as honey, but then brings about bitterness. The eschatological dimension, the mythological symbolic narration revealing the end of times, is predominant; these poetic texts, sustained by powerful symbolic images, often mysterious and enigmatic, are highly epic, thus disrupting the literary conventions. |
topic |
the apocalypse apocalyptic texts jean l’ancien ambiguity origen saint-lazare d’autun. |
url |
https://www.diversite.eu/pdf/17_1/DICE_17_1_Full_Text_p7-p18-Baudouin-DECHARNEUX.pdf |
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