Heideggers Kunstwerkaufsatz in mehrstimmiger Perspektive
Review to: David Espinet, Tobias Keiling (Hrsg.), Heideggers Ursprung des Kunstwerks. Ein Kooperativer Kommentar, Frankfurt am Main: Klostermann Verlag, 2011
Main Author: | Diego D΄Angelo |
---|---|
Format: | Article |
Language: | deu |
Published: |
Alexandru Ioan Cuza University of Iasi
2012-06-01
|
Series: | Meta: Research in Hermeneutics, Phenomenology and Practical Philosophy |
Subjects: | |
Online Access: | http://www.metajournal.org//articles_pdf/222-226-recenzie-dangelo-meta7-tehno.pdf |
Similar Items
-
Heidegger’s phenomenology of the invisible
by: Andrzej SERAFIN
Published: (2016-12-01) -
Creating New Pasts: Reality, Facticity and Interpretation in Peirce and Heidegger
by: Susanne Rohr
Published: (2020-05-01) -
Le problème de la vérité dans Etre et Temps de Heidegger
by: George Bondor
Published: (2009-06-01) -
Enigmatic origins : tracing the theme of historicity through Heidegger's works
by: Ruin, Hans
Published: (1994) -
Seduction is Not Yet Betrayal: Trust and the Essence of Truth for Heidegger and Freud
by: Britt, William
Published: (2014)