Konsep Kehidupan Dalam Ruang Pada Kelenteng Sam Kouw Di Surakarta Studi Kasus : Kelenteng T’ien Kok Sie, Kelenteng Poo An Kiong Dan Cetiya Ksiti Garbha
The kelenteng was used by three traditional religions brought by Chinese traders, namely Tao, Khonghucu and Buddhism which then together named Sam Kouw (Tri Darma) The kelenteng Sam Kouw had many worshiped sculptures to which their worship ritualwas based. The kelenteng was taken care by a suhu acte...
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Universitas Jenderal Soedirman
2008-09-01
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doaj-115f3011e9e648aba9d1696138a0cbec2020-11-24T22:38:16ZindUniversitas Jenderal SoedirmanDinamika Rekayasa1858-30752527-61312008-09-0141615130Konsep Kehidupan Dalam Ruang Pada Kelenteng Sam Kouw Di Surakarta Studi Kasus : Kelenteng T’ien Kok Sie, Kelenteng Poo An Kiong Dan Cetiya Ksiti GarbhaDyah Susilowati Pradnya Paramita0Fakultas Teknik Jurusan Arsitektur Universitas Sebelas Maret SurakartaThe kelenteng was used by three traditional religions brought by Chinese traders, namely Tao, Khonghucu and Buddhism which then together named Sam Kouw (Tri Darma) The kelenteng Sam Kouw had many worshiped sculptures to which their worship ritualwas based. The kelenteng was taken care by a suhu acted as a mediator during the worship. Due to his role in worship, the Suhu and his family also stayed in the kelenteng.Based on that phenomenon, this research is focused on the rooms usage in kelenteng as a place of interaction of both worship and household routines. This research applies naturalistic qualitative methodology. The researcher played as the main instrument in collecting the data by observation, interview. The data gained during the research was formulated to some topics analyzed inductively before the researcher conducted an inter -topic dialog.. Thi s researched was conducted in three objects with cross sectional method to strengthen the data and sharpen the focus of observation. The three objects are: 1) Kelenteng T’ien Kok Sie in Ketandan; 2) Kelenteng Poo An Kiong in Coyudan, and 3) Cetiya Ksiti Garbha in Srambatan The result of the research shows that kelenteng Sam Kouw has a public worship room in front of kelenteng , has a particular worship room in behind of kelenteng , and always has a meditation room that has always perpendicular a prominent god altar.http://dinarek.unsoed.ac.id/jurnal/index.php/dinarek/article/view/128Sam Kouw, kelenteng, Suhu |
collection |
DOAJ |
language |
Indonesian |
format |
Article |
sources |
DOAJ |
author |
Dyah Susilowati Pradnya Paramita |
spellingShingle |
Dyah Susilowati Pradnya Paramita Konsep Kehidupan Dalam Ruang Pada Kelenteng Sam Kouw Di Surakarta Studi Kasus : Kelenteng T’ien Kok Sie, Kelenteng Poo An Kiong Dan Cetiya Ksiti Garbha Dinamika Rekayasa Sam Kouw, kelenteng, Suhu |
author_facet |
Dyah Susilowati Pradnya Paramita |
author_sort |
Dyah Susilowati Pradnya Paramita |
title |
Konsep Kehidupan Dalam Ruang Pada Kelenteng Sam Kouw Di Surakarta Studi Kasus : Kelenteng T’ien Kok Sie, Kelenteng Poo An Kiong Dan Cetiya Ksiti Garbha |
title_short |
Konsep Kehidupan Dalam Ruang Pada Kelenteng Sam Kouw Di Surakarta Studi Kasus : Kelenteng T’ien Kok Sie, Kelenteng Poo An Kiong Dan Cetiya Ksiti Garbha |
title_full |
Konsep Kehidupan Dalam Ruang Pada Kelenteng Sam Kouw Di Surakarta Studi Kasus : Kelenteng T’ien Kok Sie, Kelenteng Poo An Kiong Dan Cetiya Ksiti Garbha |
title_fullStr |
Konsep Kehidupan Dalam Ruang Pada Kelenteng Sam Kouw Di Surakarta Studi Kasus : Kelenteng T’ien Kok Sie, Kelenteng Poo An Kiong Dan Cetiya Ksiti Garbha |
title_full_unstemmed |
Konsep Kehidupan Dalam Ruang Pada Kelenteng Sam Kouw Di Surakarta Studi Kasus : Kelenteng T’ien Kok Sie, Kelenteng Poo An Kiong Dan Cetiya Ksiti Garbha |
title_sort |
konsep kehidupan dalam ruang pada kelenteng sam kouw di surakarta studi kasus : kelenteng t’ien kok sie, kelenteng poo an kiong dan cetiya ksiti garbha |
publisher |
Universitas Jenderal Soedirman |
series |
Dinamika Rekayasa |
issn |
1858-3075 2527-6131 |
publishDate |
2008-09-01 |
description |
The kelenteng was used by three traditional religions brought by Chinese traders, namely Tao, Khonghucu and Buddhism which then together named Sam Kouw (Tri Darma) The kelenteng Sam Kouw had many worshiped sculptures to which their worship ritualwas based. The kelenteng was taken care by a suhu acted as a mediator during the worship. Due to his role in worship, the Suhu and his family also stayed in the kelenteng.Based on that phenomenon, this research is focused on the rooms usage in kelenteng as a place of interaction of both worship and household routines. This research applies naturalistic qualitative methodology. The researcher played as the main instrument in collecting the data by observation, interview. The data gained during the research was formulated to some topics analyzed inductively before the researcher conducted an inter -topic dialog.. Thi s researched was conducted in three objects with cross sectional method to strengthen the data and sharpen the focus of observation. The three objects are: 1) Kelenteng T’ien Kok Sie in Ketandan; 2) Kelenteng Poo An Kiong in Coyudan, and 3) Cetiya Ksiti Garbha in Srambatan The result of the research shows that kelenteng Sam Kouw has a public worship room in front of kelenteng , has a particular worship room in behind of kelenteng , and always has a meditation room that has always perpendicular a prominent god altar. |
topic |
Sam Kouw, kelenteng, Suhu |
url |
http://dinarek.unsoed.ac.id/jurnal/index.php/dinarek/article/view/128 |
work_keys_str_mv |
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