GENERAL APPROACHES ON SIGHT SINGING INSTRUCTION

In this study, the factors directly and indirectly related to sight singing instruction were analyzed. The studies carried out in this regard were evaluated in terms of purpose, scope and results. As a result of evaluation, it was seen that there were two main methods used for sight singing instruct...

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Main Author: Yusuf ÖZGÜL
Format: Article
Language:English
Published: Sada Institute of Art and Language Studies 2019-10-01
Series:Sanat Eğitimi Dergisi
Subjects:
Online Access:http://www.sanategitimidergisi.com/makale/pdf/1570688161.pdf
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spelling doaj-11176cfa3ef24a9d90ae7220f934415b2020-11-25T02:09:58ZengSada Institute of Art and Language StudiesSanat Eğitimi Dergisi2147-80072147-80072019-10-017213515910.7816/sed-07-02-02GENERAL APPROACHES ON SIGHT SINGING INSTRUCTIONYusuf ÖZGÜLIn this study, the factors directly and indirectly related to sight singing instruction were analyzed. The studies carried out in this regard were evaluated in terms of purpose, scope and results. As a result of evaluation, it was seen that there were two main methods used for sight singing instruction (fixed-do and moveable- do). The studies showed that the fixed-do method was effective on advanced level students, whereas the moveable-do method was more effective on beginner level students. Besides, it was determined that educators did not reach a consensus about the superiority of these two methods over each other. The behaviors of students before and during sight singing can display differences depending on their level of skill. It was seen that successful students were able to use the time given to them for sight singing better and that they were able to display the desired behaviors significantly better during sight singing compared to unsuccessful students. The studies show that there is a direct relationship between the sight singing skill and the musical background of students. Singing in choirs, attending voice training and instrument training are the most important predictors of the skill of sight singing. It was determined that educators carried out isolated rhythmic and interval drills, made use of computer assistance and speed reading techniques to develop the skill of sight singing. Moreover, it was seen that daily practices were effective in the development of the skill of sight singing and that making use of piano accompaniment increased students’ performance of sight singing. In this study, it is suggested for educators; a) give more place to activities which can develop students’ skill of sight singing instead of activities on memorizing and singing, b) encourage students to carry out individual activities through the use of computers and the piano, and c) select melodies which are appropriate for students’ voice range. Keywords: Sight-singing instruction, Approach, Music, Educationhttp://www.sanategitimidergisi.com/makale/pdf/1570688161.pdfsight-singing instructionapproachmusiceducation
collection DOAJ
language English
format Article
sources DOAJ
author Yusuf ÖZGÜL
spellingShingle Yusuf ÖZGÜL
GENERAL APPROACHES ON SIGHT SINGING INSTRUCTION
Sanat Eğitimi Dergisi
sight-singing instruction
approach
music
education
author_facet Yusuf ÖZGÜL
author_sort Yusuf ÖZGÜL
title GENERAL APPROACHES ON SIGHT SINGING INSTRUCTION
title_short GENERAL APPROACHES ON SIGHT SINGING INSTRUCTION
title_full GENERAL APPROACHES ON SIGHT SINGING INSTRUCTION
title_fullStr GENERAL APPROACHES ON SIGHT SINGING INSTRUCTION
title_full_unstemmed GENERAL APPROACHES ON SIGHT SINGING INSTRUCTION
title_sort general approaches on sight singing instruction
publisher Sada Institute of Art and Language Studies
series Sanat Eğitimi Dergisi
issn 2147-8007
2147-8007
publishDate 2019-10-01
description In this study, the factors directly and indirectly related to sight singing instruction were analyzed. The studies carried out in this regard were evaluated in terms of purpose, scope and results. As a result of evaluation, it was seen that there were two main methods used for sight singing instruction (fixed-do and moveable- do). The studies showed that the fixed-do method was effective on advanced level students, whereas the moveable-do method was more effective on beginner level students. Besides, it was determined that educators did not reach a consensus about the superiority of these two methods over each other. The behaviors of students before and during sight singing can display differences depending on their level of skill. It was seen that successful students were able to use the time given to them for sight singing better and that they were able to display the desired behaviors significantly better during sight singing compared to unsuccessful students. The studies show that there is a direct relationship between the sight singing skill and the musical background of students. Singing in choirs, attending voice training and instrument training are the most important predictors of the skill of sight singing. It was determined that educators carried out isolated rhythmic and interval drills, made use of computer assistance and speed reading techniques to develop the skill of sight singing. Moreover, it was seen that daily practices were effective in the development of the skill of sight singing and that making use of piano accompaniment increased students’ performance of sight singing. In this study, it is suggested for educators; a) give more place to activities which can develop students’ skill of sight singing instead of activities on memorizing and singing, b) encourage students to carry out individual activities through the use of computers and the piano, and c) select melodies which are appropriate for students’ voice range. Keywords: Sight-singing instruction, Approach, Music, Education
topic sight-singing instruction
approach
music
education
url http://www.sanategitimidergisi.com/makale/pdf/1570688161.pdf
work_keys_str_mv AT yusufozgul generalapproachesonsightsinginginstruction
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