Towards Applied Ethnomusicology – The Traditional Music Laboratory of the Institute of Music and Dance

<p>The text describes the activities of Traditional Music Laboratory of the Institute of Music and Dance, which was established on 17 June 2015 in Warsaw. The main objective of the Laboratory’s programs is to support traditional music transmission in a direct „master-apprentice” relationship a...

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Main Author: Weronika Grozdew-Kołacińska
Format: Article
Language:English
Published: Polskie Towarzystwo Ludoznawcze 2016-12-01
Series:Łódzkie Studia Etnograficzne
Subjects:
Online Access:https://apcz.umk.pl/czasopisma/index.php/LSE/article/view/12141
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spelling doaj-1116fe91b9b74273baed7585386925832020-11-25T04:12:22ZengPolskie Towarzystwo LudoznawczeŁódzkie Studia Etnograficzne 0076-03822450-55442016-12-0155014016010.12775/LSE.2016.55.0810682Towards Applied Ethnomusicology – The Traditional Music Laboratory of the Institute of Music and DanceWeronika Grozdew-Kołacińska0Instytut Sztuki Polskiej Akademii Nauk Pracownia Muzyki Tradycyjnej, Instytut Muzyki i Tańca<p>The text describes the activities of Traditional Music Laboratory of the Institute of Music and Dance, which was established on 17 June 2015 in Warsaw. The main objective of the Laboratory’s programs is to support traditional music transmission in a direct „master-apprentice” relationship and to facilitate an interdisciplinary, long-term collaboration between animators, researchers, scholars, artists, pedagogues and civil servants under subsidy of Polish Ministry of Culture and National Heritage. Ideas discussed in this paper arise from the content of the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage (2003) as well as the assumptions of applied ethnomusicology (the International Council for Traditional Music, Study Group on Applied Ethnomusicology). The question that needs to be asked in the context of the above-mentioned perspectives is how to describe the problem of the continuity of the traditional forms of musical practices in the context of new phenomena, such as the “revival”, “return”, “revitalization” or “reconstruction”, in Poland. The paper focuses on a brief overview of educational and cultural actions taken by chosen NGOs, foundations and associations organized in an informal initiative known as the Forum of Traditional Music.</p>https://apcz.umk.pl/czasopisma/index.php/LSE/article/view/12141muzyka tradycyjna, etnomuzykologia stosowana, kontynuacja, ochrona, pracowania muzyki tradycyjnej
collection DOAJ
language English
format Article
sources DOAJ
author Weronika Grozdew-Kołacińska
spellingShingle Weronika Grozdew-Kołacińska
Towards Applied Ethnomusicology – The Traditional Music Laboratory of the Institute of Music and Dance
Łódzkie Studia Etnograficzne
muzyka tradycyjna, etnomuzykologia stosowana, kontynuacja, ochrona, pracowania muzyki tradycyjnej
author_facet Weronika Grozdew-Kołacińska
author_sort Weronika Grozdew-Kołacińska
title Towards Applied Ethnomusicology – The Traditional Music Laboratory of the Institute of Music and Dance
title_short Towards Applied Ethnomusicology – The Traditional Music Laboratory of the Institute of Music and Dance
title_full Towards Applied Ethnomusicology – The Traditional Music Laboratory of the Institute of Music and Dance
title_fullStr Towards Applied Ethnomusicology – The Traditional Music Laboratory of the Institute of Music and Dance
title_full_unstemmed Towards Applied Ethnomusicology – The Traditional Music Laboratory of the Institute of Music and Dance
title_sort towards applied ethnomusicology – the traditional music laboratory of the institute of music and dance
publisher Polskie Towarzystwo Ludoznawcze
series Łódzkie Studia Etnograficzne
issn 0076-0382
2450-5544
publishDate 2016-12-01
description <p>The text describes the activities of Traditional Music Laboratory of the Institute of Music and Dance, which was established on 17 June 2015 in Warsaw. The main objective of the Laboratory’s programs is to support traditional music transmission in a direct „master-apprentice” relationship and to facilitate an interdisciplinary, long-term collaboration between animators, researchers, scholars, artists, pedagogues and civil servants under subsidy of Polish Ministry of Culture and National Heritage. Ideas discussed in this paper arise from the content of the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage (2003) as well as the assumptions of applied ethnomusicology (the International Council for Traditional Music, Study Group on Applied Ethnomusicology). The question that needs to be asked in the context of the above-mentioned perspectives is how to describe the problem of the continuity of the traditional forms of musical practices in the context of new phenomena, such as the “revival”, “return”, “revitalization” or “reconstruction”, in Poland. The paper focuses on a brief overview of educational and cultural actions taken by chosen NGOs, foundations and associations organized in an informal initiative known as the Forum of Traditional Music.</p>
topic muzyka tradycyjna, etnomuzykologia stosowana, kontynuacja, ochrona, pracowania muzyki tradycyjnej
url https://apcz.umk.pl/czasopisma/index.php/LSE/article/view/12141
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