Commentary on Canonne (2018): Listening to Improvisation

The target study explores whether evaluations of the same piece of music differ under two distinct listening conditions: listening to a piece described either as an improvisation or as a preexisting composition. Participants (N = 16) in the two conditions listened to the same musical piece and provi...

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Main Author: Manuel Anglada-Tort
Format: Article
Language:English
Published: The Ohio State University Libraries 2019-01-01
Series:Empirical Musicology Review
Subjects:
Online Access:http://emusicology.org/article/view/6387
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spelling doaj-10a4a9edb9a144df9d9e00740f211a812020-11-24T23:13:31ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492019-01-01131-2162010.18061/emr.v13i1-2.63874153Commentary on Canonne (2018): Listening to ImprovisationManuel Anglada-Tort0Audio Communication Group, Technische Universität BerlinThe target study explores whether evaluations of the same piece of music differ under two distinct listening conditions: listening to a piece described either as an improvisation or as a preexisting composition. Participants (N = 16) in the two conditions listened to the same musical piece and provided verbal evaluative judgements. The author used a grounded theory approach to analyze listeners' responses, reporting different listening experiences in the two groups. The findings provide unique insights to enable a greater understanding of the nature of the aesthetics of improvisation. In this commentary, I first discuss the strengths of the article, followed by methodological considerations and suggestions for future research. I then present a short literature review and discussion of what I consider the most relevant topic in relation to this study, namely, the effects of contextual information on subjective evaluations.http://emusicology.org/article/view/6387improvisationaestheticsmusic evaluationcontextual information
collection DOAJ
language English
format Article
sources DOAJ
author Manuel Anglada-Tort
spellingShingle Manuel Anglada-Tort
Commentary on Canonne (2018): Listening to Improvisation
Empirical Musicology Review
improvisation
aesthetics
music evaluation
contextual information
author_facet Manuel Anglada-Tort
author_sort Manuel Anglada-Tort
title Commentary on Canonne (2018): Listening to Improvisation
title_short Commentary on Canonne (2018): Listening to Improvisation
title_full Commentary on Canonne (2018): Listening to Improvisation
title_fullStr Commentary on Canonne (2018): Listening to Improvisation
title_full_unstemmed Commentary on Canonne (2018): Listening to Improvisation
title_sort commentary on canonne (2018): listening to improvisation
publisher The Ohio State University Libraries
series Empirical Musicology Review
issn 1559-5749
publishDate 2019-01-01
description The target study explores whether evaluations of the same piece of music differ under two distinct listening conditions: listening to a piece described either as an improvisation or as a preexisting composition. Participants (N = 16) in the two conditions listened to the same musical piece and provided verbal evaluative judgements. The author used a grounded theory approach to analyze listeners' responses, reporting different listening experiences in the two groups. The findings provide unique insights to enable a greater understanding of the nature of the aesthetics of improvisation. In this commentary, I first discuss the strengths of the article, followed by methodological considerations and suggestions for future research. I then present a short literature review and discussion of what I consider the most relevant topic in relation to this study, namely, the effects of contextual information on subjective evaluations.
topic improvisation
aesthetics
music evaluation
contextual information
url http://emusicology.org/article/view/6387
work_keys_str_mv AT manuelangladatort commentaryoncanonne2018listeningtoimprovisation
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