‘Hairy ape! So dat’s me, huh?’ La figure simienne comme construction sociale dans The Hairy Ape de Eugene O’Neill
An eminently political play, O’Neill’s The Hairy Ape (1922) offers a dark representation of the industrial America of the 1920s in which social interactions occur along a vertical axis. The author tackles the Simian figure from an aesthetic and social perspective in order to show how the process of...
Main Author: | Gwenola Le Bastard |
---|---|
Format: | Article |
Language: | English |
Published: |
Centre de Recherche "Texte et Critique de Texte"
2016-08-01
|
Series: | Sillages Critiques |
Subjects: | |
Online Access: | http://journals.openedition.org/sillagescritiques/4552 |
Similar Items
-
Alienation and inertia in modern society:a comparative study of Eugene O'Neill's "The hairy ape" and Edward Albee's "The zoo story"
by: CHEN, HUI-GI, et al.
Published: (1986) -
Expressionism, Truth And Beauty in American Modern Drama "The Hairy Ape" By Eugene O'Neil
by: Flutura Boci
Published: (2018-06-01) -
Eugene O'Neill in China
by: Fu-tsai Cheng, et al.
Published: (2005) -
The development of Eugene O'Neill
by: Santry, Agnes Teresa
Published: (2014) -
Censorship, Control and Resistance in Eugene O’Neill’s “black plays” The Emperor Jones and All God’s Chillun Got Wings
by: Gwenola Le Bastard
Published: (2013-11-01)