Manger à l’œil : quand l’exposition donne à voir le repas des Français

The exhibition entitled ‘Manger à l’oeil’ in French (meaning to get a free meal) and called ‘Say cheese!’ in English was presented at the Museum of European and Mediterranean Civilisations (MuCEM), in Marseilles, from 20 July to 30 September 2018. It told the story, in pictures, of two hundred years...

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Main Authors: Julie Deramond, Laure Marchis-Mouren
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2019-12-01
Series:In Situ : Revue de Patrimoines
Subjects:
Online Access:http://journals.openedition.org/insitu/27132
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spelling doaj-10852ffe67e0448a81f96a3b0aaef9672020-11-25T01:38:24ZfraMinistère de la Culture et de la CommunicationIn Situ : Revue de Patrimoines1630-73052019-12-0141Manger à l’œil : quand l’exposition donne à voir le repas des FrançaisJulie DeramondLaure Marchis-MourenThe exhibition entitled ‘Manger à l’oeil’ in French (meaning to get a free meal) and called ‘Say cheese!’ in English was presented at the Museum of European and Mediterranean Civilisations (MuCEM), in Marseilles, from 20 July to 30 September 2018. It told the story, in pictures, of two hundred years of table practices in France. It reported on the evolution of the gastronomic meal of the French which was put on UNESCO’s representative list of the intangible cultural heritage in 2010. Photography, as a medium, was chosen for its ability to capture the present moment and to highlight changes in ways of consuming. The MuCEM exhibition is analysed here from a communicational point of view, based on information and communication sciences and museology. The exhibition suggests a definition of the French gastronomic meal as a unifying and evolving phenomenon, intimately linked to social changes. The aesthetic form of the exhibition, including its scenography and the choice of the objects presented, contributes to legitimising the identification of the French gastronomic meal as heritage for a large audience. This consensual exhibition plays its part in an overall policy of promoting the food heritage.http://journals.openedition.org/insitu/27132exhibitionphotographic techniquesmealUNESCOmedia and cultural studies
collection DOAJ
language fra
format Article
sources DOAJ
author Julie Deramond
Laure Marchis-Mouren
spellingShingle Julie Deramond
Laure Marchis-Mouren
Manger à l’œil : quand l’exposition donne à voir le repas des Français
In Situ : Revue de Patrimoines
exhibition
photographic techniques
meal
UNESCO
media and cultural studies
author_facet Julie Deramond
Laure Marchis-Mouren
author_sort Julie Deramond
title Manger à l’œil : quand l’exposition donne à voir le repas des Français
title_short Manger à l’œil : quand l’exposition donne à voir le repas des Français
title_full Manger à l’œil : quand l’exposition donne à voir le repas des Français
title_fullStr Manger à l’œil : quand l’exposition donne à voir le repas des Français
title_full_unstemmed Manger à l’œil : quand l’exposition donne à voir le repas des Français
title_sort manger à l’œil : quand l’exposition donne à voir le repas des français
publisher Ministère de la Culture et de la Communication
series In Situ : Revue de Patrimoines
issn 1630-7305
publishDate 2019-12-01
description The exhibition entitled ‘Manger à l’oeil’ in French (meaning to get a free meal) and called ‘Say cheese!’ in English was presented at the Museum of European and Mediterranean Civilisations (MuCEM), in Marseilles, from 20 July to 30 September 2018. It told the story, in pictures, of two hundred years of table practices in France. It reported on the evolution of the gastronomic meal of the French which was put on UNESCO’s representative list of the intangible cultural heritage in 2010. Photography, as a medium, was chosen for its ability to capture the present moment and to highlight changes in ways of consuming. The MuCEM exhibition is analysed here from a communicational point of view, based on information and communication sciences and museology. The exhibition suggests a definition of the French gastronomic meal as a unifying and evolving phenomenon, intimately linked to social changes. The aesthetic form of the exhibition, including its scenography and the choice of the objects presented, contributes to legitimising the identification of the French gastronomic meal as heritage for a large audience. This consensual exhibition plays its part in an overall policy of promoting the food heritage.
topic exhibition
photographic techniques
meal
UNESCO
media and cultural studies
url http://journals.openedition.org/insitu/27132
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