Mythological Recuperation and Performance as Agency for Genealogical Return in Djanet Sears’s Afrika Solo
This paper is an examination of Djanet Sears’s Afrika Solo (1990) as a unique example of how Blacks in the global diaspora trace their genealogical roots back to Africa. Drawing from research in anthropology, cultural studies, and performance, the paper purports that Sears’s African-Canadian identit...
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| Format: | Article |
| Language: | English |
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MDPI AG
2018-04-01
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| Series: | Genealogy |
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| Online Access: | http://www.mdpi.com/2313-5778/2/2/14 |