After zero hour: States as “custodians of universal human culture,” or “guardians of advanced art”

The emergence of radically new, avant-garde movements in German music and throughout Western Europe after WW2 has often been seen as expressing a strivings to create on a tabula rasa, in order to create distance from the horrors of the recent past. In the countries of the communist bloc, th...

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Bibliographic Details
Main Author:	Milin Melita
Format:	Article
Language:	English
Published:	Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts 2017-01-01
Series:	Muzikologija
Subjects:	Zero Hour avant-garde music socialist realism and music Cold War Iron Curtain Serbian music Yugoslav music
Online Access:	http://www.doiserbia.nb.rs/img/doi/1450-9814/2017/1450-98141723041M.pdf

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spelling	doaj-0feade2f736b440b87dea9e0bc39538b2020-11-24T23:08:53ZengSerbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and ArtsMuzikologija1450-98142406-09762017-01-01201723415710.2298/MUZ1723041M1450-98141723041MAfter zero hour: States as “custodians of universal human culture,” or “guardians of advanced art”Milin Melita0Institute of Musicology SASA, BelgradeThe emergence of radically new, avant-garde movements in German music and throughout Western Europe after WW2 has often been seen as expressing a strivings to create on a tabula rasa, in order to create distance from the horrors of the recent past. In the countries of the communist bloc, the imposed ideology of socialist realism also created a sharp break, similar to that in the West, except that Zero Hour was conceived in quite a different fashion, as a move in the opposite direction from Western modernism. The case of post-war music in Yugoslavia is examined under the light of the fact that the country did not belong to either bloc. [Project of the Serbian Ministry of Education, Science and Technological Development, Grant no. 177004: Identities of Serbian Music from Local to Global Frames: Traditions, Changes, Challenges]http://www.doiserbia.nb.rs/img/doi/1450-9814/2017/1450-98141723041M.pdfZero Houravant-garde musicsocialist realism and musicCold WarIron CurtainSerbian musicYugoslav music
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Milin Melita
spellingShingle	Milin Melita After zero hour: States as “custodians of universal human culture,” or “guardians of advanced art” Muzikologija Zero Hour avant-garde music socialist realism and music Cold War Iron Curtain Serbian music Yugoslav music
author_facet	Milin Melita
author_sort	Milin Melita
title	After zero hour: States as “custodians of universal human culture,” or “guardians of advanced art”
title_short	After zero hour: States as “custodians of universal human culture,” or “guardians of advanced art”
title_full	After zero hour: States as “custodians of universal human culture,” or “guardians of advanced art”
title_fullStr	After zero hour: States as “custodians of universal human culture,” or “guardians of advanced art”
title_full_unstemmed	After zero hour: States as “custodians of universal human culture,” or “guardians of advanced art”
title_sort	after zero hour: states as “custodians of universal human culture,” or “guardians of advanced art”
publisher	Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
series	Muzikologija
issn	1450-9814 2406-0976
publishDate	2017-01-01
description	The emergence of radically new, avant-garde movements in German music and throughout Western Europe after WW2 has often been seen as expressing a strivings to create on a tabula rasa, in order to create distance from the horrors of the recent past. In the countries of the communist bloc, the imposed ideology of socialist realism also created a sharp break, similar to that in the West, except that Zero Hour was conceived in quite a different fashion, as a move in the opposite direction from Western modernism. The case of post-war music in Yugoslavia is examined under the light of the fact that the country did not belong to either bloc. [Project of the Serbian Ministry of Education, Science and Technological Development, Grant no. 177004: Identities of Serbian Music from Local to Global Frames: Traditions, Changes, Challenges]
topic	Zero Hour avant-garde music socialist realism and music Cold War Iron Curtain Serbian music Yugoslav music
url	http://www.doiserbia.nb.rs/img/doi/1450-9814/2017/1450-98141723041M.pdf
work_keys_str_mv	AT milinmelita afterzerohourstatesascustodiansofuniversalhumancultureorguardiansofadvancedart
_version_	1725612632707170304

After zero hour: States as “custodians of universal human culture,” or “guardians of advanced art”

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