The Duchess and Altisidora: Two Enemies of Dulcinea

Don Quixote creates Dulcinea of El Toboso, the beloved of the knight-errant, out of his recollections of Aldonza Lorenzo. The character of Dulci­nea is very different from the peasant woman who inspired her creation, to the point that the latter is entirely effaced, while the imaginary Dulcinea, as...

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Main Author: Amalia Iriarte
Format: Article
Language:English
Published: Instituto de Estudios Auriseculares (IDEA) 2015-11-01
Series:Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
Online Access:http://revistahipogrifo.com/index.php/hipogrifo/article/view/140
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spelling doaj-0fc608b10b344193b852ffe94c5bd4ce2020-11-24T23:59:39ZengInstituto de Estudios Auriseculares (IDEA)Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro2328-13082015-11-013225326110.13035/H.2015.03.02.16110The Duchess and Altisidora: Two Enemies of DulcineaAmalia Iriarte0Universidad de Los AndesDon Quixote creates Dulcinea of El Toboso, the beloved of the knight-errant, out of his recollections of Aldonza Lorenzo. The character of Dulci­nea is very different from the peasant woman who inspired her creation, to the point that the latter is entirely effaced, while the imaginary Dulcinea, as she has taken possession of don Quixote’s inner world, becomes stronger and plays an increa­singly important role in the novel, exerting influence on the development of events. This will be more evident in the second part of the novel, where two women at the duke’s court, the duchess herself and Altisidora, take on the task of unmasking the nonexistence of Dulcinea, and induce don Quixote to fall in love with a real woman, a role assumed by Altisidora. In this essay, I argue that the more these real women question Dulci­nea, the stronger will be don Quixote’s feelings for his imaginary beloved. This process takes place within one of the central conflicts of Cervantes’ novel: the struggle between the creatures of the imagination and those we accept as real.http://revistahipogrifo.com/index.php/hipogrifo/article/view/140
collection DOAJ
language English
format Article
sources DOAJ
author Amalia Iriarte
spellingShingle Amalia Iriarte
The Duchess and Altisidora: Two Enemies of Dulcinea
Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
author_facet Amalia Iriarte
author_sort Amalia Iriarte
title The Duchess and Altisidora: Two Enemies of Dulcinea
title_short The Duchess and Altisidora: Two Enemies of Dulcinea
title_full The Duchess and Altisidora: Two Enemies of Dulcinea
title_fullStr The Duchess and Altisidora: Two Enemies of Dulcinea
title_full_unstemmed The Duchess and Altisidora: Two Enemies of Dulcinea
title_sort duchess and altisidora: two enemies of dulcinea
publisher Instituto de Estudios Auriseculares (IDEA)
series Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
issn 2328-1308
publishDate 2015-11-01
description Don Quixote creates Dulcinea of El Toboso, the beloved of the knight-errant, out of his recollections of Aldonza Lorenzo. The character of Dulci­nea is very different from the peasant woman who inspired her creation, to the point that the latter is entirely effaced, while the imaginary Dulcinea, as she has taken possession of don Quixote’s inner world, becomes stronger and plays an increa­singly important role in the novel, exerting influence on the development of events. This will be more evident in the second part of the novel, where two women at the duke’s court, the duchess herself and Altisidora, take on the task of unmasking the nonexistence of Dulcinea, and induce don Quixote to fall in love with a real woman, a role assumed by Altisidora. In this essay, I argue that the more these real women question Dulci­nea, the stronger will be don Quixote’s feelings for his imaginary beloved. This process takes place within one of the central conflicts of Cervantes’ novel: the struggle between the creatures of the imagination and those we accept as real.
url http://revistahipogrifo.com/index.php/hipogrifo/article/view/140
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