Interfaces – a Musical Situation
An interface may be considered being a (social) situation where information is transferred effecting and affecting both, the communicator and the recipient. There is evidence, that musical performance could be argued to be a paradigm of this situation. As musical performance is part of a communicati...
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Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)
2007-12-01
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Series: | Muzikološki Zbornik |
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Online Access: | https://193.2.70.196/MuzikoloskiZbornik/article/view/5491 |
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doaj-0fc5876bc64a464ab171a4754410d2662021-03-02T02:02:52ZdeuZnanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)Muzikološki Zbornik0580-373X2350-42422007-12-01431Interfaces – a Musical SituationWerner JaukAn interface may be considered being a (social) situation where information is transferred effecting and affecting both, the communicator and the recipient. There is evidence, that musical performance could be argued to be a paradigm of this situation. As musical performance is part of a communication-process formalized in music an interface is part of a communication-process formalized in a non-mechanistic virtual reality. Musical perfomance as well as interfaces are based on expressive bahavior – by giving access to they “construct” music and virtual realities. These hypotheses are argued on the basis of experimental data of communication-processes as well as theories of music and media-art.https://193.2.70.196/MuzikoloskiZbornik/article/view/5491virtual realitiesmusicinterfacesmusical performanceexpressive behaviordigital culture |
collection |
DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Werner Jauk |
spellingShingle |
Werner Jauk Interfaces – a Musical Situation Muzikološki Zbornik virtual realities music interfaces musical performance expressive behavior digital culture |
author_facet |
Werner Jauk |
author_sort |
Werner Jauk |
title |
Interfaces – a Musical Situation |
title_short |
Interfaces – a Musical Situation |
title_full |
Interfaces – a Musical Situation |
title_fullStr |
Interfaces – a Musical Situation |
title_full_unstemmed |
Interfaces – a Musical Situation |
title_sort |
interfaces – a musical situation |
publisher |
Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) |
series |
Muzikološki Zbornik |
issn |
0580-373X 2350-4242 |
publishDate |
2007-12-01 |
description |
An interface may be considered being a (social) situation where information is transferred effecting and affecting both, the communicator and the recipient. There is evidence, that musical performance could be argued to be a paradigm of this situation. As musical performance is part of a communication-process formalized in music an interface is part of a communication-process formalized in a non-mechanistic virtual reality. Musical perfomance as well as interfaces are based on expressive bahavior – by giving access to they “construct” music and virtual realities. These hypotheses are argued on the basis of experimental data of communication-processes as well as theories of music and media-art. |
topic |
virtual realities music interfaces musical performance expressive behavior digital culture |
url |
https://193.2.70.196/MuzikoloskiZbornik/article/view/5491 |
work_keys_str_mv |
AT wernerjauk interfacesamusicalsituation |
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