ARTE E FENOMENOLOGIA BRANCUSIANA: “IL METODO PURAMENTE SCULTORIO DI PENSARE IL MONDO”

• Main Author: MANUELA TEODORA BALAŞCA-MIHOCI
• Format: Article
• Language: deu
• Published: Alexandru Ioan Cuza University Press 2010-11-01
• Series: Agathos: An International Review of the Humanities and Social Sciences
• Subjects: archetype; reduction; „Imaginatio Creatrix”; hierophany; Dies-da; transcending; simplicity.
• Online Access: http://www.agathos-international-review.com/issue1/articles/04_ARTE_E_FENOMENOLOGIA_BRANCUSIANA.pdf

The entailing creative labour reveals works that imply the whole human thinking and sensitivity aiming to comprehend them. Thus, we can reach the great Brancusian art in understanding that, beyond the glance and the material, we find the spiritual; the last is not something untouchable, but it is a sort of co-partner of the creative life experience. Fear, love, pain, happiness, and ecstazy, all the human affinities and the substance of beingness are created by art and by philosophy alike. Merely their expression is different as concerning the material and the word. We find sameness between the capacity of communication using and feeling life through wood or rock, for example, on one hand; and the gift of putting in act and writing words, of interpreting verse, on the other. Such a similarity belongs to the unique creative agent, finally, that is varying only by the material and the expressive shape.