Villes mortes, villes à l’agonie. Écriture du ravage dans Le quatrième mur de Sorj Chalandon
Particularly productive during the fin- de-siècle literature, the literary motif of dead cities is instilled with a new meaning in the Sorj Chalandon’s novel Le quatrième mur. Sorj Chalandon implements a poetics of sacking by which the devastated city be- comes both a fictional and tragic space of c...
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| Format: | Article |
| Language: | Spanish |
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Asociación de Francesistas de la Universidad Española (AFUE)
2016-04-01
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| Series: | Çédille: Revista de Estudios Franceses |
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| Online Access: | https://cedille.webs.ull.es/12/03barraud.pdf |
| Summary: | Particularly productive during the fin- de-siècle literature, the literary motif of dead cities is instilled with a new meaning in the Sorj Chalandon’s novel Le quatrième mur. Sorj Chalandon implements a poetics of sacking by which the devastated city be- comes both a fictional and tragic space of creation where the genre of the tomb is re- invented. |
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| ISSN: | 1699-4949 1699-4949 |