| Summary: | <p><span style="color: #211d1e; font-size: small;"><span style="color: #211d1e; font-size: small;">This article studies one of Lope de Vega’s latest plays, </span></span><em><span style="color: #211d1e; font-family: NewCenturySchlbk LT Std,NewCenturySchlbk LT Std; font-size: small;"><span style="color: #211d1e; font-family: NewCenturySchlbk LT Std,NewCenturySchlbk LT Std; font-size: small;"><span style="color: #211d1e; font-family: NewCenturySchlbk LT Std,NewCenturySchlbk LT Std; font-size: small;">Las bizarrías de Belisa</span></span></span></em><span style="color: #211d1e; font-size: small;"><span style="color: #211d1e; font-size: small;">, where we find a synthesis of the principal conventions of cloak-and-dagger comedy, a genre to which he seems to be bidding farewell. Special attention is devoted to the characters and their relationships with each other, without neglecting questions of language: linguistic registers and anti-Gongorism controversy. </span></span></p>
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