War and memory: Nono, Penderecki, Britten

War and memory: Nono, Penderecki, Britten

This essay aims to approach how classical music has responded to the impact of World War II. We will study three pieces of work produced shortly after the event itself, but whose authors space and aesthetics are far removed: Luigi Nono’s Il canto sospeso (1955-56), Krzysztof Penderecki’s Threnody fo...

Full description

Bibliographic Details
Main Author: Manuel Pacheco Sánchez
Format: Article
Language:Catalan
Published: Universidad Complutense de Madrid 2017-05-01
Series:Revista de Filología Románica
Subjects:
memoria, música, Segunda Guerra Mundial.
Online Access:http://revistas.ucm.es/index.php/RFRM/article/view/55874
id doaj-0e4627d7fc044013a2e9a3ff71d2a206
record_format Article
spelling doaj-0e4627d7fc044013a2e9a3ff71d2a2062020-11-24T21:32:28ZcatUniversidad Complutense de MadridRevista de Filología Románica0212-999X1988-28152017-05-0133021922610.5209/RFRM.5587451798War and memory: Nono, Penderecki, BrittenManuel Pacheco Sánchez0Facultad de Filología Universidad complutense de MadridThis essay aims to approach how classical music has responded to the impact of World War II. We will study three pieces of work produced shortly after the event itself, but whose authors space and aesthetics are far removed: Luigi Nono’s Il canto sospeso (1955-56), Krzysztof Penderecki’s Threnody for the Victims of Hiroshima (1959), and Benjamin Britten’s War Requiem (1961-62), which we will approach from the perspective of memory, the relationship between text and music, and its musical parameters.http://revistas.ucm.es/index.php/RFRM/article/view/55874memoria, música, Segunda Guerra Mundial.
collection DOAJ
language Catalan
format Article
sources DOAJ
author Manuel Pacheco Sánchez
spellingShingle Manuel Pacheco Sánchez
War and memory: Nono, Penderecki, Britten
Revista de Filología Románica
memoria, música, Segunda Guerra Mundial.
author_facet Manuel Pacheco Sánchez
author_sort Manuel Pacheco Sánchez
title War and memory: Nono, Penderecki, Britten
title_short War and memory: Nono, Penderecki, Britten
title_full War and memory: Nono, Penderecki, Britten
title_fullStr War and memory: Nono, Penderecki, Britten
title_full_unstemmed War and memory: Nono, Penderecki, Britten
title_sort war and memory: nono, penderecki, britten
publisher Universidad Complutense de Madrid
series Revista de Filología Románica
issn 0212-999X
1988-2815
publishDate 2017-05-01
description This essay aims to approach how classical music has responded to the impact of World War II. We will study three pieces of work produced shortly after the event itself, but whose authors space and aesthetics are far removed: Luigi Nono’s Il canto sospeso (1955-56), Krzysztof Penderecki’s Threnody for the Victims of Hiroshima (1959), and Benjamin Britten’s War Requiem (1961-62), which we will approach from the perspective of memory, the relationship between text and music, and its musical parameters.
topic memoria, música, Segunda Guerra Mundial.
url http://revistas.ucm.es/index.php/RFRM/article/view/55874
work_keys_str_mv AT manuelpachecosanchez warandmemorynonopendereckibritten
_version_ 1725957482744905728

Similar Items