Actividades de imagen en textos narrativos (ficción y no ficción) / Facework in narrative texts (fiction and non-fiction)

The analysis of a corpus of narrative texts has been carried out in this paper. This corpus consists of two works of fiction and one of nonfiction, corresponding to three authors born in the decade between 1959 and 1968: an Argentine (Kohan), a Spaniard (Cercas) and an American translated into Spani...

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Main Author: Zamora Francisco José
Format: Article
Language:English
Published: De Gruyter 2014-03-01
Series:Pragmática Sociocultural
Subjects:
Online Access:https://doi.org/10.1515/soprag-2013-0030
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spelling doaj-0e329ccbea984667983acc0988cefb8d2021-09-05T14:00:44ZengDe GruyterPragmática Sociocultural2194-83052194-83132014-03-01217611510.1515/soprag-2013-0030Actividades de imagen en textos narrativos (ficción y no ficción) / Facework in narrative texts (fiction and non-fiction)Zamora Francisco José0Universidad de ValladolidThe analysis of a corpus of narrative texts has been carried out in this paper. This corpus consists of two works of fiction and one of nonfiction, corresponding to three authors born in the decade between 1959 and 1968: an Argentine (Kohan), a Spaniard (Cercas) and an American translated into Spanish (Franzen). These authors are considered as qualified informants, as anthropologists describing the culture of a community and as privileged narrators who expertly create the voices of their characters. For the study of facework we rely primarily on the theories of Goffman (1953, [1955] 1967, 1956, 1961), Brown and Levinson (1978, 1987), Haverkate (1994a, 1994b, 2001) and Bravo (2000, 2005, 2010, 2012), as well as the theories of other authors who have used literary texts for the analysis of such phenomena. Mey’s proposals to analyze the voices of the characters created in the literary fiction (Mey, 1999, 2001a, 2001b, 2011) are also taken into account.https://doi.org/10.1515/soprag-2013-0030actividades de imagen (facework)discurso narrativopragmática literariatraducción literariafaceworknarrative discourseliterary pragmaticsliterary translation
collection DOAJ
language English
format Article
sources DOAJ
author Zamora Francisco José
spellingShingle Zamora Francisco José
Actividades de imagen en textos narrativos (ficción y no ficción) / Facework in narrative texts (fiction and non-fiction)
Pragmática Sociocultural
actividades de imagen (facework)
discurso narrativo
pragmática literaria
traducción literaria
facework
narrative discourse
literary pragmatics
literary translation
author_facet Zamora Francisco José
author_sort Zamora Francisco José
title Actividades de imagen en textos narrativos (ficción y no ficción) / Facework in narrative texts (fiction and non-fiction)
title_short Actividades de imagen en textos narrativos (ficción y no ficción) / Facework in narrative texts (fiction and non-fiction)
title_full Actividades de imagen en textos narrativos (ficción y no ficción) / Facework in narrative texts (fiction and non-fiction)
title_fullStr Actividades de imagen en textos narrativos (ficción y no ficción) / Facework in narrative texts (fiction and non-fiction)
title_full_unstemmed Actividades de imagen en textos narrativos (ficción y no ficción) / Facework in narrative texts (fiction and non-fiction)
title_sort actividades de imagen en textos narrativos (ficción y no ficción) / facework in narrative texts (fiction and non-fiction)
publisher De Gruyter
series Pragmática Sociocultural
issn 2194-8305
2194-8313
publishDate 2014-03-01
description The analysis of a corpus of narrative texts has been carried out in this paper. This corpus consists of two works of fiction and one of nonfiction, corresponding to three authors born in the decade between 1959 and 1968: an Argentine (Kohan), a Spaniard (Cercas) and an American translated into Spanish (Franzen). These authors are considered as qualified informants, as anthropologists describing the culture of a community and as privileged narrators who expertly create the voices of their characters. For the study of facework we rely primarily on the theories of Goffman (1953, [1955] 1967, 1956, 1961), Brown and Levinson (1978, 1987), Haverkate (1994a, 1994b, 2001) and Bravo (2000, 2005, 2010, 2012), as well as the theories of other authors who have used literary texts for the analysis of such phenomena. Mey’s proposals to analyze the voices of the characters created in the literary fiction (Mey, 1999, 2001a, 2001b, 2011) are also taken into account.
topic actividades de imagen (facework)
discurso narrativo
pragmática literaria
traducción literaria
facework
narrative discourse
literary pragmatics
literary translation
url https://doi.org/10.1515/soprag-2013-0030
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