Adventures in Music Translation: Italian Songs and Arias (aka “The Yellow Book”) and Me

This article is a general exploration of translation issues involved in the translation and performance of the art song, arguing that although critical interest in recent years has been growing, the problems involved in these hybrid translation projects involving both text and music present a number...

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Main Author: Lynn Penrod
Format: Article
Language:English
Published: Department of Modern Languages and Cultural Studies, University of Alberta 2017-06-01
Series:TranscUlturAl
Subjects:
Online Access:https://journals.library.ualberta.ca/tc/index.php/TC/article/view/29342/21381
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spelling doaj-0dbb1f8cbfef49a68593464b3dac04222020-11-24T23:38:28ZengDepartment of Modern Languages and Cultural Studies, University of AlbertaTranscUlturAl1920-03231920-03232017-06-01916377http://dx.doi.org/10.21992/T9VK7JAdventures in Music Translation: Italian Songs and Arias (aka “The Yellow Book”) and MeLynn Penrod0University of AlbertaThis article is a general exploration of translation issues involved in the translation and performance of the art song, arguing that although critical interest in recent years has been growing, the problems involved in these hybrid translation projects involving both text and music present a number of conundrums: primacy of text or music, focus on performability, and age-old arguments about fidelity and/or foreignization vs domestication. Using information from theatre translation and input from singers themselves, the author argues that this particular area of translation studies will work best in the future with a collaborative approach that includes translators, musicologists, and performers working together in order to produce the most “singable” text as possible for the art song in performance.https://journals.library.ualberta.ca/tc/index.php/TC/article/view/29342/21381Art songtranslationperformance
collection DOAJ
language English
format Article
sources DOAJ
author Lynn Penrod
spellingShingle Lynn Penrod
Adventures in Music Translation: Italian Songs and Arias (aka “The Yellow Book”) and Me
TranscUlturAl
Art song
translation
performance
author_facet Lynn Penrod
author_sort Lynn Penrod
title Adventures in Music Translation: Italian Songs and Arias (aka “The Yellow Book”) and Me
title_short Adventures in Music Translation: Italian Songs and Arias (aka “The Yellow Book”) and Me
title_full Adventures in Music Translation: Italian Songs and Arias (aka “The Yellow Book”) and Me
title_fullStr Adventures in Music Translation: Italian Songs and Arias (aka “The Yellow Book”) and Me
title_full_unstemmed Adventures in Music Translation: Italian Songs and Arias (aka “The Yellow Book”) and Me
title_sort adventures in music translation: italian songs and arias (aka “the yellow book”) and me
publisher Department of Modern Languages and Cultural Studies, University of Alberta
series TranscUlturAl
issn 1920-0323
1920-0323
publishDate 2017-06-01
description This article is a general exploration of translation issues involved in the translation and performance of the art song, arguing that although critical interest in recent years has been growing, the problems involved in these hybrid translation projects involving both text and music present a number of conundrums: primacy of text or music, focus on performability, and age-old arguments about fidelity and/or foreignization vs domestication. Using information from theatre translation and input from singers themselves, the author argues that this particular area of translation studies will work best in the future with a collaborative approach that includes translators, musicologists, and performers working together in order to produce the most “singable” text as possible for the art song in performance.
topic Art song
translation
performance
url https://journals.library.ualberta.ca/tc/index.php/TC/article/view/29342/21381
work_keys_str_mv AT lynnpenrod adventuresinmusictranslationitaliansongsandariasakatheyellowbookandme
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