THE STRUCTURE AND FORMULA OF GERONG LYRICS IN THE PRAMBANANRAMAYANA BALLET

Abstract Gerong lyrics as the only orality in the Prambanan Ramayana ballet no longer present the story of Rama in its entirety. Although most gerong lyrics contain the scenes, the singers are not always fixated on the lyrics, but prioritize the tones of the chants. This study aims to reveal the st...

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Main Authors: Ratun Untoro, Ida Rochanib Adi, Heddy Shri Ahimsa
Format: Article
Language:English
Published: Universitas Negeri Yogyakarta 2017-06-01
Series:Litera
Online Access:http://journal.uny.ac.id/index.php/litera/article/view/14258
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spelling doaj-0d4e57a185144682839cfa1c9c7ed9d92020-11-24T21:37:07ZengUniversitas Negeri YogyakartaLitera1412-25962460-83192017-06-011619239THE STRUCTURE AND FORMULA OF GERONG LYRICS IN THE PRAMBANANRAMAYANA BALLETRatun Untoro0Ida Rochanib Adi1Heddy Shri Ahimsa2Balai Bahasa DIYUGMUGMAbstract Gerong lyrics as the only orality in the Prambanan Ramayana ballet no longer present the story of Rama in its entirety. Although most gerong lyrics contain the scenes, the singers are not always fixated on the lyrics, but prioritize the tones of the chants. This study aims to reveal the structure and formula of gerong chants in the Prambanan Ramayana ballet. It used Levi-Strauss’ structuralism theory and Albert Lord’s formula theory and employed the qualitative descriptive method. The data were gerong lyrics and their chanting and various supporting orality elements. The results of the study show that the structure in the form of geronginter-lyric relation does not show the Ramayana story plot. In addition, a gerong chant formula is found. The chant formula becomes one of the developments of Lord’s formula theory giving priority to the formula of the oral lyrics. Keywords: Ramayana Ballet, structuralism, formula, gerong, chantshttp://journal.uny.ac.id/index.php/litera/article/view/14258
collection DOAJ
language English
format Article
sources DOAJ
author Ratun Untoro
Ida Rochanib Adi
Heddy Shri Ahimsa
spellingShingle Ratun Untoro
Ida Rochanib Adi
Heddy Shri Ahimsa
THE STRUCTURE AND FORMULA OF GERONG LYRICS IN THE PRAMBANANRAMAYANA BALLET
Litera
author_facet Ratun Untoro
Ida Rochanib Adi
Heddy Shri Ahimsa
author_sort Ratun Untoro
title THE STRUCTURE AND FORMULA OF GERONG LYRICS IN THE PRAMBANANRAMAYANA BALLET
title_short THE STRUCTURE AND FORMULA OF GERONG LYRICS IN THE PRAMBANANRAMAYANA BALLET
title_full THE STRUCTURE AND FORMULA OF GERONG LYRICS IN THE PRAMBANANRAMAYANA BALLET
title_fullStr THE STRUCTURE AND FORMULA OF GERONG LYRICS IN THE PRAMBANANRAMAYANA BALLET
title_full_unstemmed THE STRUCTURE AND FORMULA OF GERONG LYRICS IN THE PRAMBANANRAMAYANA BALLET
title_sort structure and formula of gerong lyrics in the prambananramayana ballet
publisher Universitas Negeri Yogyakarta
series Litera
issn 1412-2596
2460-8319
publishDate 2017-06-01
description Abstract Gerong lyrics as the only orality in the Prambanan Ramayana ballet no longer present the story of Rama in its entirety. Although most gerong lyrics contain the scenes, the singers are not always fixated on the lyrics, but prioritize the tones of the chants. This study aims to reveal the structure and formula of gerong chants in the Prambanan Ramayana ballet. It used Levi-Strauss’ structuralism theory and Albert Lord’s formula theory and employed the qualitative descriptive method. The data were gerong lyrics and their chanting and various supporting orality elements. The results of the study show that the structure in the form of geronginter-lyric relation does not show the Ramayana story plot. In addition, a gerong chant formula is found. The chant formula becomes one of the developments of Lord’s formula theory giving priority to the formula of the oral lyrics. Keywords: Ramayana Ballet, structuralism, formula, gerong, chants
url http://journal.uny.ac.id/index.php/litera/article/view/14258
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