Da spettatore a cavia. Nuove forme di fruizione nell’opera di Carsten Höller
The article focuses on the idea of participation in contemporary art practice, analyzed through Carsten Höller’s artistic production. Starting from Guy Debord’s essay La société du spectacle, the public is no longer seen as an alienated mass of spectators, but it begins to participate by taking part...
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| Format: | Article |
| Language: | deu |
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Università degli Studi di Milano
2018-07-01
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| Series: | Lebenswelt: Aesthetics and Philosophy of Experience |
| Online Access: | https://riviste.unimi.it/index.php/Lebenswelt/article/view/10371 |