From Romeo and Juliet to Rosaline & Benvolio: Refashioning Shakespearean Teenage Lovers

In this essay I analyse a number of narrative retellings of Romeo and Juliet for a Young Adult audience. I focus on three novels which, interestingly, replace the star-crossed lovers, with a couple of minor characters, Benvolio and Rosaline: Lisa Fiedler’s Romeo’s Ex. Rosaline’s Story (2006), Melind...

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Main Author: Laura Tosi
Format: Article
Language:English
Published: Università degli Studi di Milano 2017-11-01
Series:Altre Modernità
Subjects:
Online Access:https://riviste.unimi.it/index.php/AMonline/article/view/9259
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spelling doaj-0bff8c12daa24d9298bac095e88b538c2020-11-25T03:18:13ZengUniversità degli Studi di MilanoAltre Modernità2035-76802017-11-01018173010.13130/2035-7680/92597924From Romeo and Juliet to Rosaline & Benvolio: Refashioning Shakespearean Teenage LoversLaura Tosi0Università Ca’ Foscari, VeneziaIn this essay I analyse a number of narrative retellings of Romeo and Juliet for a Young Adult audience. I focus on three novels which, interestingly, replace the star-crossed lovers, with a couple of minor characters, Benvolio and Rosaline: Lisa Fiedler’s Romeo’s Ex. Rosaline’s Story (2006), Melinda Traub’s Still Star Crossed (2013) and Rachel Caine’s Prince of Shadows (2014). In thse versions Rosaline and Benvolio are given centre stage and narrative voices which open up new narrative possibilities; they end up playing a different and a bigger part than in the original play, but firmly refuse that of the victim to the old generation’s decisions and actions. By exploring motivation, establishing new links between the characters, and having narrators pass authoritative moral judgements, all these texts negotiate with well-established critical interpretations of the central characters, often challenging and channeling them into unexpected critical directions. In a way, these retellings “fix” the original “dangerous” characters Romeo and Juliet, by bringing in new characters as mediators, or expand existing secondary characters in order to make them fit into contemporary notions of teenage role models.https://riviste.unimi.it/index.php/AMonline/article/view/9259Romeo and JulietAdaptationYA literature
collection DOAJ
language English
format Article
sources DOAJ
author Laura Tosi
spellingShingle Laura Tosi
From Romeo and Juliet to Rosaline & Benvolio: Refashioning Shakespearean Teenage Lovers
Altre Modernità
Romeo and Juliet
Adaptation
YA literature
author_facet Laura Tosi
author_sort Laura Tosi
title From Romeo and Juliet to Rosaline & Benvolio: Refashioning Shakespearean Teenage Lovers
title_short From Romeo and Juliet to Rosaline & Benvolio: Refashioning Shakespearean Teenage Lovers
title_full From Romeo and Juliet to Rosaline & Benvolio: Refashioning Shakespearean Teenage Lovers
title_fullStr From Romeo and Juliet to Rosaline & Benvolio: Refashioning Shakespearean Teenage Lovers
title_full_unstemmed From Romeo and Juliet to Rosaline & Benvolio: Refashioning Shakespearean Teenage Lovers
title_sort from romeo and juliet to rosaline & benvolio: refashioning shakespearean teenage lovers
publisher Università degli Studi di Milano
series Altre Modernità
issn 2035-7680
publishDate 2017-11-01
description In this essay I analyse a number of narrative retellings of Romeo and Juliet for a Young Adult audience. I focus on three novels which, interestingly, replace the star-crossed lovers, with a couple of minor characters, Benvolio and Rosaline: Lisa Fiedler’s Romeo’s Ex. Rosaline’s Story (2006), Melinda Traub’s Still Star Crossed (2013) and Rachel Caine’s Prince of Shadows (2014). In thse versions Rosaline and Benvolio are given centre stage and narrative voices which open up new narrative possibilities; they end up playing a different and a bigger part than in the original play, but firmly refuse that of the victim to the old generation’s decisions and actions. By exploring motivation, establishing new links between the characters, and having narrators pass authoritative moral judgements, all these texts negotiate with well-established critical interpretations of the central characters, often challenging and channeling them into unexpected critical directions. In a way, these retellings “fix” the original “dangerous” characters Romeo and Juliet, by bringing in new characters as mediators, or expand existing secondary characters in order to make them fit into contemporary notions of teenage role models.
topic Romeo and Juliet
Adaptation
YA literature
url https://riviste.unimi.it/index.php/AMonline/article/view/9259
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