La gran “lucha-mitte” política y estética de los proyectos urbanísticos pós reunificación en Berlín
There is hardly a metropolis found in Europe or elsewhere where the urban structure and architectural face changed as often, or dramatically, as in 20th century Berlin. During this century, the city served as the state capital for five different political systems, suffered partial destruction during...
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Format: | Article |
Language: | English |
Published: |
Universidade de São Paulo (USP)
2013-06-01
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Series: | Pós: Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP |
Subjects: | |
Online Access: | http://revistas.usp.br/posfau/article/view/80923 |
Summary: | There is hardly a metropolis found in Europe or elsewhere where the urban structure and architectural face changed as often, or dramatically, as in 20th century Berlin. During this century, the city served as the state capital for five different political systems, suffered partial destruction during World War II, and experienced physical separation by the Berlin wall for 28 years. Shortly after the reunification of Germany in 1989, Berlin was designated the capital of the unified country. This triggered massive building activity for federal ministries and other governmental facilities, the majority of which was carried out in the old city center (Mitte). It was here that previous regimes of various ideologies had built their major architectural state representations; from to the authoritarian Empire (1871-1918) to authoritarian socialism in the German Democratic Republic (1949-89). All of these époques still have remains concentrated in the Mitte district, but it is not only with governmental buildings that Berlin and its Mitte transformed drastically in the last 20 years; there were also cultural, commercial, and industrial projects and, of course, apartment buildings which were designed and completed. With all of these reasons for construction, the question arose of what to do with the old buildings and how to build the new. From 1991 onwards, the Berlin urbanism authority worked out guidelines which set aesthetic guidelines for all construction activity. The 1999 Planwerk Innenstadt (City Center Master Plan) itself was based on a Leitbild (overall concept) from the 1980s called “Critical Reconstruction of a European City.” Many critics, architects, and theorists called it a prohibitive construction doctrine that, to a certain extent, represented conservative or even reactionary political tendencies in unified Germany. This article reconstructs the main lines of this discussion and evaluates the influence of political aesthetics on post-unification Berlin urbanism. |
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ISSN: | 1518-9554 2317-2762 |