Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları
Nowadays, factors, such as the world’s being a global village and the fast living of the consumption age together with the developing technology have led to the elimination of cultural values. In this era, which detains individuals from listening to, reading and producing, the cinema is considere...
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Cyprus International University
2021-08-01
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Online Access: | https://www.folkloredebiyat.org/Makaleler/222346318_fed107-8.makale%20Aysun%20Ezgi%20Y%c4%b1lmaz.pdf |
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doaj-0aaf53f6d2b846b39d3235394cdc1a822021-08-10T07:46:38ZengCyprus International UniversityFolklor/Edebiyat1300-74911300-74912021-08-012710779981210.22559/folklor.1692Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları Aysun Ezgi Yılmaz0https://orcid.org/0000-0002-6619-0834Arş.Gör., Başkent Üniversitesi Fen Edebiyat Fakültesi Türk Dili ve Edebiyatı Bölümü.Nowadays, factors, such as the world’s being a global village and the fast living of the consumption age together with the developing technology have led to the elimination of cultural values. In this era, which detains individuals from listening to, reading and producing, the cinema is considered to be an effective tool for preventing the present cultural erosion as it is suitable for the consumer’s nature by combining the words and texts with the visual elements. In this context, the subject of this research “Iftarlık Gazoz”, written and directed by Yüksel Aksu, serves as an example with the cultural elements it contains for their transfer and protection. The movie was supported by Ministry of Culture and Tourism and when the folkloric elements in the movie (masterapprentice relationship, folk songs, mani, proverbs etc.) were examined it can be seen that these elements are not placed irrelevantly; instead, they are aproduct of a conscious culture protection approach. The movie examined here has been evaluated by taking into consideration the cultural elements it has in the context of The Convention for the Safeguarding of the Intangible Cultural Heritage and The Convention on the Protection and Promotion of the Diversity of Cultural Expressions, which were signed for avoiding the standardization in culture.https://www.folkloredebiyat.org/Makaleler/222346318_fed107-8.makale%20Aysun%20Ezgi%20Y%c4%b1lmaz.pdfi̇ftarlık gazozcinemaculturecultural preservation approaches |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Aysun Ezgi Yılmaz |
spellingShingle |
Aysun Ezgi Yılmaz Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları Folklor/Edebiyat i̇ftarlık gazoz cinema culture cultural preservation approaches |
author_facet |
Aysun Ezgi Yılmaz |
author_sort |
Aysun Ezgi Yılmaz |
title |
Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları |
title_short |
Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları |
title_full |
Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları |
title_fullStr |
Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları |
title_full_unstemmed |
Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları |
title_sort |
cultural preservation approaches in the cinema: the case study of the movie iftarlık gazoz / i̇ftarlık gazoz filmi örneğinde sinemada kültür koruma yaklaşımları |
publisher |
Cyprus International University |
series |
Folklor/Edebiyat |
issn |
1300-7491 1300-7491 |
publishDate |
2021-08-01 |
description |
Nowadays, factors, such as the world’s being a global village and the fast living of the
consumption age together with the developing technology have led to the elimination
of cultural values. In this era, which detains individuals from listening to, reading and
producing, the cinema is considered to be an effective tool for preventing the present
cultural erosion as it is suitable for the consumer’s nature by combining the words
and texts with the visual elements. In this context, the subject of this research “Iftarlık
Gazoz”, written and directed by Yüksel Aksu, serves as an example with the cultural
elements it contains for their transfer and protection. The movie was supported by
Ministry of Culture and Tourism and when the folkloric elements in the movie (masterapprentice relationship, folk songs, mani, proverbs etc.) were examined it can be seen
that these elements are not placed irrelevantly; instead, they are aproduct of a conscious
culture protection approach. The movie examined here has been evaluated by taking
into consideration the cultural elements it has in the context of The Convention for the
Safeguarding of the Intangible Cultural Heritage and The Convention on the Protection
and Promotion of the Diversity of Cultural Expressions, which were signed for avoiding
the standardization in culture. |
topic |
i̇ftarlık gazoz cinema culture cultural preservation approaches |
url |
https://www.folkloredebiyat.org/Makaleler/222346318_fed107-8.makale%20Aysun%20Ezgi%20Y%c4%b1lmaz.pdf |
work_keys_str_mv |
AT aysunezgiyılmaz culturalpreservationapproachesinthecinemathecasestudyofthemovieiftarlıkgazoziftarlıkgazozfilmiornegindesinemadakulturkorumayaklasımları |
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1721212428844269568 |