Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları

Nowadays, factors, such as the world’s being a global village and the fast living of the consumption age together with the developing technology have led to the elimination of cultural values. In this era, which detains individuals from listening to, reading and producing, the cinema is considere...

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Bibliographic Details
Main Author: Aysun Ezgi Yılmaz
Format: Article
Language:English
Published: Cyprus International University 2021-08-01
Series:Folklor/Edebiyat
Subjects:
Online Access:https://www.folkloredebiyat.org/Makaleler/222346318_fed107-8.makale%20Aysun%20Ezgi%20Y%c4%b1lmaz.pdf
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spelling doaj-0aaf53f6d2b846b39d3235394cdc1a822021-08-10T07:46:38ZengCyprus International UniversityFolklor/Edebiyat1300-74911300-74912021-08-012710779981210.22559/folklor.1692Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları Aysun Ezgi Yılmaz0https://orcid.org/0000-0002-6619-0834Arş.Gör., Başkent Üniversitesi Fen Edebiyat Fakültesi Türk Dili ve Edebiyatı Bölümü.Nowadays, factors, such as the world’s being a global village and the fast living of the consumption age together with the developing technology have led to the elimination of cultural values. In this era, which detains individuals from listening to, reading and producing, the cinema is considered to be an effective tool for preventing the present cultural erosion as it is suitable for the consumer’s nature by combining the words and texts with the visual elements. In this context, the subject of this research “Iftarlık Gazoz”, written and directed by Yüksel Aksu, serves as an example with the cultural elements it contains for their transfer and protection. The movie was supported by Ministry of Culture and Tourism and when the folkloric elements in the movie (masterapprentice relationship, folk songs, mani, proverbs etc.) were examined it can be seen that these elements are not placed irrelevantly; instead, they are aproduct of a conscious culture protection approach. The movie examined here has been evaluated by taking into consideration the cultural elements it has in the context of The Convention for the Safeguarding of the Intangible Cultural Heritage and The Convention on the Protection and Promotion of the Diversity of Cultural Expressions, which were signed for avoiding the standardization in culture.https://www.folkloredebiyat.org/Makaleler/222346318_fed107-8.makale%20Aysun%20Ezgi%20Y%c4%b1lmaz.pdfi̇ftarlık gazozcinemaculturecultural preservation approaches
collection DOAJ
language English
format Article
sources DOAJ
author Aysun Ezgi Yılmaz
spellingShingle Aysun Ezgi Yılmaz
Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları
Folklor/Edebiyat
i̇ftarlık gazoz
cinema
culture
cultural preservation approaches
author_facet Aysun Ezgi Yılmaz
author_sort Aysun Ezgi Yılmaz
title Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları
title_short Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları
title_full Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları
title_fullStr Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları
title_full_unstemmed Cultural Preservation Approaches in the Cinema: The Case Study of the Movie Iftarlık Gazoz / İftarlık Gazoz Filmi Örneğinde Sinemada Kültür Koruma Yaklaşımları
title_sort cultural preservation approaches in the cinema: the case study of the movie iftarlık gazoz / i̇ftarlık gazoz filmi örneğinde sinemada kültür koruma yaklaşımları
publisher Cyprus International University
series Folklor/Edebiyat
issn 1300-7491
1300-7491
publishDate 2021-08-01
description Nowadays, factors, such as the world’s being a global village and the fast living of the consumption age together with the developing technology have led to the elimination of cultural values. In this era, which detains individuals from listening to, reading and producing, the cinema is considered to be an effective tool for preventing the present cultural erosion as it is suitable for the consumer’s nature by combining the words and texts with the visual elements. In this context, the subject of this research “Iftarlık Gazoz”, written and directed by Yüksel Aksu, serves as an example with the cultural elements it contains for their transfer and protection. The movie was supported by Ministry of Culture and Tourism and when the folkloric elements in the movie (masterapprentice relationship, folk songs, mani, proverbs etc.) were examined it can be seen that these elements are not placed irrelevantly; instead, they are aproduct of a conscious culture protection approach. The movie examined here has been evaluated by taking into consideration the cultural elements it has in the context of The Convention for the Safeguarding of the Intangible Cultural Heritage and The Convention on the Protection and Promotion of the Diversity of Cultural Expressions, which were signed for avoiding the standardization in culture.
topic i̇ftarlık gazoz
cinema
culture
cultural preservation approaches
url https://www.folkloredebiyat.org/Makaleler/222346318_fed107-8.makale%20Aysun%20Ezgi%20Y%c4%b1lmaz.pdf
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