Random Feedback Makes Listeners Tone-Deaf

Abstract The mental representation of pitch structure (tonal knowledge) is a core component of musical experience and is learned implicitly through exposure to music. One theory of congenital amusia (tone deafness) posits that conscious access to tonal knowledge is disrupted, leading to a severe def...

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Main Authors: Dominique T. Vuvan, Benjamin Rich Zendel, Isabelle Peretz
Format: Article
Language:English
Published: Nature Publishing Group 2018-05-01
Series:Scientific Reports
Online Access:https://doi.org/10.1038/s41598-018-25518-1
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spelling doaj-0a8f145ea0d34a64a711d5615c77ae6f2020-12-08T03:28:11ZengNature Publishing GroupScientific Reports2045-23222018-05-018111110.1038/s41598-018-25518-1Random Feedback Makes Listeners Tone-DeafDominique T. Vuvan0Benjamin Rich Zendel1Isabelle Peretz2Department of Psychology, Skidmore CollegeInternational Laboratory for Brain, Music, and Sound Research (BRAMS)International Laboratory for Brain, Music, and Sound Research (BRAMS)Abstract The mental representation of pitch structure (tonal knowledge) is a core component of musical experience and is learned implicitly through exposure to music. One theory of congenital amusia (tone deafness) posits that conscious access to tonal knowledge is disrupted, leading to a severe deficit of music cognition. We tested this idea by providing random performance feedback to neurotypical listeners while they listened to melodies for tonal incongruities and had their electrical brain activity monitored. The introduction of random feedback was associated with a reduction of accuracy and confidence, and a suppression of the late positive brain response usually elicited by conscious detection of a tonal violation. These effects mirror the behavioural and neurophysiological profile of amusia. In contrast, random feedback was associated with an increase in the amplitude of the early right anterior negativity, possibly due to heightened attention to the experimental task. This successful simulation of amusia in a normal brain highlights the key role of feedback in learning, and thereby provides a new avenue for the rehabilitation of learning disorders.https://doi.org/10.1038/s41598-018-25518-1
collection DOAJ
language English
format Article
sources DOAJ
author Dominique T. Vuvan
Benjamin Rich Zendel
Isabelle Peretz
spellingShingle Dominique T. Vuvan
Benjamin Rich Zendel
Isabelle Peretz
Random Feedback Makes Listeners Tone-Deaf
Scientific Reports
author_facet Dominique T. Vuvan
Benjamin Rich Zendel
Isabelle Peretz
author_sort Dominique T. Vuvan
title Random Feedback Makes Listeners Tone-Deaf
title_short Random Feedback Makes Listeners Tone-Deaf
title_full Random Feedback Makes Listeners Tone-Deaf
title_fullStr Random Feedback Makes Listeners Tone-Deaf
title_full_unstemmed Random Feedback Makes Listeners Tone-Deaf
title_sort random feedback makes listeners tone-deaf
publisher Nature Publishing Group
series Scientific Reports
issn 2045-2322
publishDate 2018-05-01
description Abstract The mental representation of pitch structure (tonal knowledge) is a core component of musical experience and is learned implicitly through exposure to music. One theory of congenital amusia (tone deafness) posits that conscious access to tonal knowledge is disrupted, leading to a severe deficit of music cognition. We tested this idea by providing random performance feedback to neurotypical listeners while they listened to melodies for tonal incongruities and had their electrical brain activity monitored. The introduction of random feedback was associated with a reduction of accuracy and confidence, and a suppression of the late positive brain response usually elicited by conscious detection of a tonal violation. These effects mirror the behavioural and neurophysiological profile of amusia. In contrast, random feedback was associated with an increase in the amplitude of the early right anterior negativity, possibly due to heightened attention to the experimental task. This successful simulation of amusia in a normal brain highlights the key role of feedback in learning, and thereby provides a new avenue for the rehabilitation of learning disorders.
url https://doi.org/10.1038/s41598-018-25518-1
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