A nostalgia colonial como técnica de best-selling literário

The article analyses Miguel Sousa Tavares’ novel Equador in the light of the sensational success that the book had, mainly in Portugal. In addition to a fictional strategy of paralitera­ry character, the skilful recovery and banalization of the Queirosian lesson appears as one of the elements that,...

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Main Author: Giorgio de Marchis
Format: Article
Language:English
Published: Instituto Universitário de Lisboa 2006-06-01
Series:Cadernos de Estudos Africanos
Subjects:
Online Access:http://journals.openedition.org/cea/1243
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spelling doaj-0a552ce10e10480fb7055cbba6c20e152020-11-25T02:46:22ZengInstituto Universitário de LisboaCadernos de Estudos Africanos1645-37942006-06-011010111210.4000/cea.1243A nostalgia colonial como técnica de best-selling literárioGiorgio de MarchisThe article analyses Miguel Sousa Tavares’ novel Equador in the light of the sensational success that the book had, mainly in Portugal. In addition to a fictional strategy of paralitera­ry character, the skilful recovery and banalization of the Queirosian lesson appears as one of the elements that, by offering a comfortable reading of a pleasure text (in a barthesian sense), justifies the great acceptance that this best-seller received in the Portuguese editorial market. Still, Miguel Sousa Tavares' novel, as well as other works published in Portugal in the prece­ding years, responds mainly to the social desire, nowadays very generalized in the mnemonic Portuguese community, of sharing a positive image of Africa’s past. From this point of view, Equador obeys, and simultaneously feeds certain social rules of rememberance and can then be considered an historical novel that functions as an aggregation factor of a community that recognizes itself while remembering and consuming the same image of the past and, simulta­neously, as a generator of this same alternative image of the colonial history that contributes to filter and alter through the reconfiguration of the historical segment markers in question.http://journals.openedition.org/cea/1243lusophone literature -- century 21colonial literaturecultural representation
collection DOAJ
language English
format Article
sources DOAJ
author Giorgio de Marchis
spellingShingle Giorgio de Marchis
A nostalgia colonial como técnica de best-selling literário
Cadernos de Estudos Africanos
lusophone literature -- century 21
colonial literature
cultural representation
author_facet Giorgio de Marchis
author_sort Giorgio de Marchis
title A nostalgia colonial como técnica de best-selling literário
title_short A nostalgia colonial como técnica de best-selling literário
title_full A nostalgia colonial como técnica de best-selling literário
title_fullStr A nostalgia colonial como técnica de best-selling literário
title_full_unstemmed A nostalgia colonial como técnica de best-selling literário
title_sort nostalgia colonial como técnica de best-selling literário
publisher Instituto Universitário de Lisboa
series Cadernos de Estudos Africanos
issn 1645-3794
publishDate 2006-06-01
description The article analyses Miguel Sousa Tavares’ novel Equador in the light of the sensational success that the book had, mainly in Portugal. In addition to a fictional strategy of paralitera­ry character, the skilful recovery and banalization of the Queirosian lesson appears as one of the elements that, by offering a comfortable reading of a pleasure text (in a barthesian sense), justifies the great acceptance that this best-seller received in the Portuguese editorial market. Still, Miguel Sousa Tavares' novel, as well as other works published in Portugal in the prece­ding years, responds mainly to the social desire, nowadays very generalized in the mnemonic Portuguese community, of sharing a positive image of Africa’s past. From this point of view, Equador obeys, and simultaneously feeds certain social rules of rememberance and can then be considered an historical novel that functions as an aggregation factor of a community that recognizes itself while remembering and consuming the same image of the past and, simulta­neously, as a generator of this same alternative image of the colonial history that contributes to filter and alter through the reconfiguration of the historical segment markers in question.
topic lusophone literature -- century 21
colonial literature
cultural representation
url http://journals.openedition.org/cea/1243
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