En chantier

This essay aims at reading Walter Benjamin’s Einbahnstrasse taking into account five interrelated aspects: the “crisis of narrativity” and the kinship of Einbahnstrasse with the surrealist texts and the practice of montage; the importance – not only romantic but also intellectual and political – of...

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Main Author: Jeanne Marie Gagnebin
Format: Article
Language:English
Published: Università degli Studi di Milano 2018-01-01
Series:Itinera
Online Access:https://riviste.unimi.it/index.php/itinera/article/view/9506
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spelling doaj-0a47420fe6c2432787ce93bb8ca765922020-11-25T03:04:37ZengUniversità degli Studi di MilanoItinera2039-92512018-01-011410.13130/2039-9251/9506En chantierJeanne Marie Gagnebin0Pontifícia Universidade Católica de São Paulo This essay aims at reading Walter Benjamin’s Einbahnstrasse taking into account five interrelated aspects: the “crisis of narrativity” and the kinship of Einbahnstrasse with the surrealist texts and the practice of montage; the importance – not only romantic but also intellectual and political – of Asja Lacis, to whom the work is dedicated; the writing of Einbahnstrasse as an attempt to answer, literarily and politically, to another “Strasse”, the one of the despair and of the inflation in Weimar Republic; the form of the Denkbild; the figure of the child that plays with the debris, like in the case of the poet in Baudelaire or the proletarian children’s theater founded by Asja Lacis – the connection between Spiel and Stoff. https://riviste.unimi.it/index.php/itinera/article/view/9506
collection DOAJ
language English
format Article
sources DOAJ
author Jeanne Marie Gagnebin
spellingShingle Jeanne Marie Gagnebin
En chantier
Itinera
author_facet Jeanne Marie Gagnebin
author_sort Jeanne Marie Gagnebin
title En chantier
title_short En chantier
title_full En chantier
title_fullStr En chantier
title_full_unstemmed En chantier
title_sort en chantier
publisher Università degli Studi di Milano
series Itinera
issn 2039-9251
publishDate 2018-01-01
description This essay aims at reading Walter Benjamin’s Einbahnstrasse taking into account five interrelated aspects: the “crisis of narrativity” and the kinship of Einbahnstrasse with the surrealist texts and the practice of montage; the importance – not only romantic but also intellectual and political – of Asja Lacis, to whom the work is dedicated; the writing of Einbahnstrasse as an attempt to answer, literarily and politically, to another “Strasse”, the one of the despair and of the inflation in Weimar Republic; the form of the Denkbild; the figure of the child that plays with the debris, like in the case of the poet in Baudelaire or the proletarian children’s theater founded by Asja Lacis – the connection between Spiel and Stoff.
url https://riviste.unimi.it/index.php/itinera/article/view/9506
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