En chantier
This essay aims at reading Walter Benjamin’s Einbahnstrasse taking into account five interrelated aspects: the “crisis of narrativity” and the kinship of Einbahnstrasse with the surrealist texts and the practice of montage; the importance – not only romantic but also intellectual and political – of...
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Università degli Studi di Milano
2018-01-01
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doaj-0a47420fe6c2432787ce93bb8ca765922020-11-25T03:04:37ZengUniversità degli Studi di MilanoItinera2039-92512018-01-011410.13130/2039-9251/9506En chantierJeanne Marie Gagnebin0Pontifícia Universidade Católica de São Paulo This essay aims at reading Walter Benjamin’s Einbahnstrasse taking into account five interrelated aspects: the “crisis of narrativity” and the kinship of Einbahnstrasse with the surrealist texts and the practice of montage; the importance – not only romantic but also intellectual and political – of Asja Lacis, to whom the work is dedicated; the writing of Einbahnstrasse as an attempt to answer, literarily and politically, to another “Strasse”, the one of the despair and of the inflation in Weimar Republic; the form of the Denkbild; the figure of the child that plays with the debris, like in the case of the poet in Baudelaire or the proletarian children’s theater founded by Asja Lacis – the connection between Spiel and Stoff. https://riviste.unimi.it/index.php/itinera/article/view/9506 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Jeanne Marie Gagnebin |
spellingShingle |
Jeanne Marie Gagnebin En chantier Itinera |
author_facet |
Jeanne Marie Gagnebin |
author_sort |
Jeanne Marie Gagnebin |
title |
En chantier |
title_short |
En chantier |
title_full |
En chantier |
title_fullStr |
En chantier |
title_full_unstemmed |
En chantier |
title_sort |
en chantier |
publisher |
Università degli Studi di Milano |
series |
Itinera |
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2039-9251 |
publishDate |
2018-01-01 |
description |
This essay aims at reading Walter Benjamin’s Einbahnstrasse taking into account five interrelated aspects: the “crisis of narrativity” and the kinship of Einbahnstrasse with the surrealist texts and the practice of montage; the importance – not only romantic but also intellectual and political – of Asja Lacis, to whom the work is dedicated; the writing of Einbahnstrasse as an attempt to answer, literarily and politically, to another “Strasse”, the one of the despair and of the inflation in Weimar Republic; the form of the Denkbild; the figure of the child that plays with the debris, like in the case of the poet in Baudelaire or the proletarian children’s theater founded by Asja Lacis – the connection between Spiel and Stoff.
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https://riviste.unimi.it/index.php/itinera/article/view/9506 |
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AT jeannemariegagnebin enchantier |
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