How do "mute" cicadas produce their calling songs?

Insects have evolved a variety of structures and mechanisms to produce sounds, which are used for communication both within and between species. Among acoustic insects, cicada males are particularly known for their loud and diverse sounds which function importantly in communication. The main method...

Full description

Bibliographic Details
Main Authors: Changqing Luo, Cong Wei, Christian Nansen
Format: Article
Language:English
Published: Public Library of Science (PLoS) 2015-01-01
Series:PLoS ONE
Online Access:https://doi.org/10.1371/journal.pone.0118554
id doaj-0a13483d26e94ef0a80d8e8146aec76f
record_format Article
spelling doaj-0a13483d26e94ef0a80d8e8146aec76f2021-03-03T20:09:49ZengPublic Library of Science (PLoS)PLoS ONE1932-62032015-01-01102e011855410.1371/journal.pone.0118554How do "mute" cicadas produce their calling songs?Changqing LuoCong WeiChristian NansenInsects have evolved a variety of structures and mechanisms to produce sounds, which are used for communication both within and between species. Among acoustic insects, cicada males are particularly known for their loud and diverse sounds which function importantly in communication. The main method of sound production in cicadas is the tymbal mechanism, and a relative small number of cicada species possess both tymbal and stridulatory organs. However, cicadas of the genus Karenia do not have any specialized sound-producing structures, so they are referred to as "mute". This denomination is quite misleading, as they indeed produce sounds. Here, we investigate the sound-producing mechanism and acoustic communication of the "mute" cicada, Karenia caelatata, and discover a new sound-production mechanism for cicadas: i.e., K. caelatata produces impact sounds by banging the forewing costa against the operculum. The temporal, frequency and amplitude characteristics of the impact sounds are described. Morphological studies and reflectance-based analyses reveal that the structures involved in sound production of K. caelatata (i.e., forewing, operculum, cruciform elevation, and wing-holding groove on scutellum) are all morphologically modified. Acoustic playback experiments and behavioral observations suggest that the impact sounds of K. caelatata are used in intraspecific communication and function as calling songs. The new sound-production mechanism expands our knowledge on the diversity of acoustic signaling behavior in cicadas and further underscores the need for more bioacoustic studies on cicadas which lack tymbal mechanism.https://doi.org/10.1371/journal.pone.0118554
collection DOAJ
language English
format Article
sources DOAJ
author Changqing Luo
Cong Wei
Christian Nansen
spellingShingle Changqing Luo
Cong Wei
Christian Nansen
How do "mute" cicadas produce their calling songs?
PLoS ONE
author_facet Changqing Luo
Cong Wei
Christian Nansen
author_sort Changqing Luo
title How do "mute" cicadas produce their calling songs?
title_short How do "mute" cicadas produce their calling songs?
title_full How do "mute" cicadas produce their calling songs?
title_fullStr How do "mute" cicadas produce their calling songs?
title_full_unstemmed How do "mute" cicadas produce their calling songs?
title_sort how do "mute" cicadas produce their calling songs?
publisher Public Library of Science (PLoS)
series PLoS ONE
issn 1932-6203
publishDate 2015-01-01
description Insects have evolved a variety of structures and mechanisms to produce sounds, which are used for communication both within and between species. Among acoustic insects, cicada males are particularly known for their loud and diverse sounds which function importantly in communication. The main method of sound production in cicadas is the tymbal mechanism, and a relative small number of cicada species possess both tymbal and stridulatory organs. However, cicadas of the genus Karenia do not have any specialized sound-producing structures, so they are referred to as "mute". This denomination is quite misleading, as they indeed produce sounds. Here, we investigate the sound-producing mechanism and acoustic communication of the "mute" cicada, Karenia caelatata, and discover a new sound-production mechanism for cicadas: i.e., K. caelatata produces impact sounds by banging the forewing costa against the operculum. The temporal, frequency and amplitude characteristics of the impact sounds are described. Morphological studies and reflectance-based analyses reveal that the structures involved in sound production of K. caelatata (i.e., forewing, operculum, cruciform elevation, and wing-holding groove on scutellum) are all morphologically modified. Acoustic playback experiments and behavioral observations suggest that the impact sounds of K. caelatata are used in intraspecific communication and function as calling songs. The new sound-production mechanism expands our knowledge on the diversity of acoustic signaling behavior in cicadas and further underscores the need for more bioacoustic studies on cicadas which lack tymbal mechanism.
url https://doi.org/10.1371/journal.pone.0118554
work_keys_str_mv AT changqingluo howdomutecicadasproducetheircallingsongs
AT congwei howdomutecicadasproducetheircallingsongs
AT christiannansen howdomutecicadasproducetheircallingsongs
_version_ 1714823678368153600