Metateatralità e regia in "Ogni anno punto e da capo" di Eduardo De Filippo

In Ogni anno punto e da capo wrote and directed, but not recited, by Eduardo in 1971, you can get much more significant implications than the tone of the show – a fun reinvention of the revue of the Thirties – could let believe at first. The show stands, in fact, as the peak of an intense sea...

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Main Author: Isabella Innamorati
Format: Article
Language:Italian
Published: Edizioni di Pagina 2016-12-01
Series:Il castello di Elsinore
Online Access:https://ilcastellodielsinore.it/index.php/Elsinore/article/view/65
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spelling doaj-0a0c54d31d664a44be82a98fe6ee0a662021-07-22T14:20:31ZitaEdizioni di PaginaIl castello di Elsinore0394-93892036-56242016-12-017510.13135/2036-5624/65Metateatralità e regia in "Ogni anno punto e da capo" di Eduardo De FilippoIsabella Innamorati In Ogni anno punto e da capo wrote and directed, but not recited, by Eduardo in 1971, you can get much more significant implications than the tone of the show – a fun reinvention of the revue of the Thirties – could let believe at first. The show stands, in fact, as the peak of an intense season of exchanges and collaborations between Eduardo and the Piccolo Teatro of Milan, also promoted by the interest of Eduardo for modern prerogatives of the role of director. Making use of critical and documentary evidence of the period, the contribution reconstructs the show by Eduardo, focusing on his own directing perspective, characterized by metatheatricality and autobiography, towards a regeneration of national dramaturgy by the lifeblood of the Neapolitan theater tradition. https://ilcastellodielsinore.it/index.php/Elsinore/article/view/65
collection DOAJ
language Italian
format Article
sources DOAJ
author Isabella Innamorati
spellingShingle Isabella Innamorati
Metateatralità e regia in "Ogni anno punto e da capo" di Eduardo De Filippo
Il castello di Elsinore
author_facet Isabella Innamorati
author_sort Isabella Innamorati
title Metateatralità e regia in "Ogni anno punto e da capo" di Eduardo De Filippo
title_short Metateatralità e regia in "Ogni anno punto e da capo" di Eduardo De Filippo
title_full Metateatralità e regia in "Ogni anno punto e da capo" di Eduardo De Filippo
title_fullStr Metateatralità e regia in "Ogni anno punto e da capo" di Eduardo De Filippo
title_full_unstemmed Metateatralità e regia in "Ogni anno punto e da capo" di Eduardo De Filippo
title_sort metateatralità e regia in "ogni anno punto e da capo" di eduardo de filippo
publisher Edizioni di Pagina
series Il castello di Elsinore
issn 0394-9389
2036-5624
publishDate 2016-12-01
description In Ogni anno punto e da capo wrote and directed, but not recited, by Eduardo in 1971, you can get much more significant implications than the tone of the show – a fun reinvention of the revue of the Thirties – could let believe at first. The show stands, in fact, as the peak of an intense season of exchanges and collaborations between Eduardo and the Piccolo Teatro of Milan, also promoted by the interest of Eduardo for modern prerogatives of the role of director. Making use of critical and documentary evidence of the period, the contribution reconstructs the show by Eduardo, focusing on his own directing perspective, characterized by metatheatricality and autobiography, towards a regeneration of national dramaturgy by the lifeblood of the Neapolitan theater tradition.
url https://ilcastellodielsinore.it/index.php/Elsinore/article/view/65
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