Hyperboles in Newspaper Photographs: A Case Study of Khalmg Ünn’s (‘The Kalmyk Pravda’) Issues, 1957–1961

Introduction. Photography is a visual source of information, and its unique character has been recognized by numerous researchers. Newspaper photographs tend to mirror both a historical era proper and daily life of its inhabitants. Goals. The paper aims at analyzing the ‘essential messages’ of ph...

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Main Authors: Viktoriya V. Kukanova, Aleksandra T. Bayanova, Larisa B. Mandzhikova
Format: Article
Language:English
Published: Российской академии наук, Калмыцкий научный центр 2020-12-01
Series:Oriental Studies
Subjects:
Online Access:https://kigiran.elpub.ru/jour/article/view/2702/2478
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spelling doaj-09b25a80f7564efc9dfc64e1f375ae802021-05-21T13:47:06Zeng Российской академии наук, Калмыцкий научный центрOriental Studies2619-09902619-10082020-12-0113615791593https://doi.org/10.22162/2619-0990-2020-52-6-1579-1593Hyperboles in Newspaper Photographs: A Case Study of Khalmg Ünn’s (‘The Kalmyk Pravda’) Issues, 1957–1961Viktoriya V. Kukanova0https://orcid.org/0000-0002-7696-4151Aleksandra T. Bayanova1https://orcid.org/0000-0001-7718-802XLarisa B. Mandzhikova2https://orcid.org/0000-0003-3902-2664 Kalmyk Scientific Center of the RASKalmyk Scientific Center of the RAS Kalmyk Scientific Center of the RAS Introduction. Photography is a visual source of information, and its unique character has been recognized by numerous researchers. Newspaper photographs tend to mirror both a historical era proper and daily life of its inhabitants. Goals. The paper aims at analyzing the ‘essential messages’ of photographs published by Khalmg Ünn (‘The Kalmyk Pravda’) newspaper in 1957–1961. The periodical is an ethnic-oriented print media to have published — and still does — Kalmyk language materials. Materials and Methods. The continuous sampling method was employed to extract photographs from newspaper issues of 1957–1961. So, a total of 4,000 units were analyzed, but the study primarily focuses on pictures that were taken by local photographers in the territory of the Kalmyk ASSR. Photographs by TASS were involved to trace similar trends through comparison with regional photographic images. Conclusions. The study shows that photographic materials of Khalmg Ünn (‘The Kalmyk Pravda’) highlight different artistic trends manifested in the eclectic patterns compiled from both Socialist realism and the ‘severe style’ (the latter characterized by romantic heroification of strenuous laborers). Just in two years the newspaper images rapidly evolutionized from mere shots to photographic pictures created through the use of diverse means and methods, e.g., that of hyperbolization achieved via different camera angles and glass prism techniques. Newspaper photographers turned to common laborers to show their joys and hardships, everyday life of citizens not involved in party or any other administrative activities. The Khrushchev era gave rise to most essential changes in newspaper photography and the images examined. Further analysis of newspaper materials shall facilitate the development of both regional print media and anthropological studies at large. https://kigiran.elpub.ru/jour/article/view/2702/2478newspaperphotographvisual sourcehyperbolephotojournalism
collection DOAJ
language English
format Article
sources DOAJ
author Viktoriya V. Kukanova
Aleksandra T. Bayanova
Larisa B. Mandzhikova
spellingShingle Viktoriya V. Kukanova
Aleksandra T. Bayanova
Larisa B. Mandzhikova
Hyperboles in Newspaper Photographs: A Case Study of Khalmg Ünn’s (‘The Kalmyk Pravda’) Issues, 1957–1961
Oriental Studies
newspaper
photograph
visual source
hyperbole
photojournalism
author_facet Viktoriya V. Kukanova
Aleksandra T. Bayanova
Larisa B. Mandzhikova
author_sort Viktoriya V. Kukanova
title Hyperboles in Newspaper Photographs: A Case Study of Khalmg Ünn’s (‘The Kalmyk Pravda’) Issues, 1957–1961
title_short Hyperboles in Newspaper Photographs: A Case Study of Khalmg Ünn’s (‘The Kalmyk Pravda’) Issues, 1957–1961
title_full Hyperboles in Newspaper Photographs: A Case Study of Khalmg Ünn’s (‘The Kalmyk Pravda’) Issues, 1957–1961
title_fullStr Hyperboles in Newspaper Photographs: A Case Study of Khalmg Ünn’s (‘The Kalmyk Pravda’) Issues, 1957–1961
title_full_unstemmed Hyperboles in Newspaper Photographs: A Case Study of Khalmg Ünn’s (‘The Kalmyk Pravda’) Issues, 1957–1961
title_sort hyperboles in newspaper photographs: a case study of khalmg ünn’s (‘the kalmyk pravda’) issues, 1957–1961
publisher Российской академии наук, Калмыцкий научный центр
series Oriental Studies
issn 2619-0990
2619-1008
publishDate 2020-12-01
description Introduction. Photography is a visual source of information, and its unique character has been recognized by numerous researchers. Newspaper photographs tend to mirror both a historical era proper and daily life of its inhabitants. Goals. The paper aims at analyzing the ‘essential messages’ of photographs published by Khalmg Ünn (‘The Kalmyk Pravda’) newspaper in 1957–1961. The periodical is an ethnic-oriented print media to have published — and still does — Kalmyk language materials. Materials and Methods. The continuous sampling method was employed to extract photographs from newspaper issues of 1957–1961. So, a total of 4,000 units were analyzed, but the study primarily focuses on pictures that were taken by local photographers in the territory of the Kalmyk ASSR. Photographs by TASS were involved to trace similar trends through comparison with regional photographic images. Conclusions. The study shows that photographic materials of Khalmg Ünn (‘The Kalmyk Pravda’) highlight different artistic trends manifested in the eclectic patterns compiled from both Socialist realism and the ‘severe style’ (the latter characterized by romantic heroification of strenuous laborers). Just in two years the newspaper images rapidly evolutionized from mere shots to photographic pictures created through the use of diverse means and methods, e.g., that of hyperbolization achieved via different camera angles and glass prism techniques. Newspaper photographers turned to common laborers to show their joys and hardships, everyday life of citizens not involved in party or any other administrative activities. The Khrushchev era gave rise to most essential changes in newspaper photography and the images examined. Further analysis of newspaper materials shall facilitate the development of both regional print media and anthropological studies at large.
topic newspaper
photograph
visual source
hyperbole
photojournalism
url https://kigiran.elpub.ru/jour/article/view/2702/2478
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