Parametric Analysis of Acoustical Requirements for Lateral Reflections: Melbourne Recital Hall Case Study
This paper is an investigation of the Melbourne Recital Centre as a case study to define the parameters necessary for good acoustical quality as it relates to the Binaural Quality Index and determining the intimacy of the hall by its initial time delay gap. The Melbourne Recital Centre, designed by...
Main Authors: | , |
---|---|
Format: | Article |
Language: | English |
Published: |
International Institute of Informatics and Cybernetics
2013-06-01
|
Series: | Journal of Systemics, Cybernetics and Informatics |
Online Access: | http://www.iiisci.org/Journal/CV$/sci/pdfs/IDC487AU.pdf
|
id |
doaj-099d9526497a400b9bc17ded18c58eca |
---|---|
record_format |
Article |
spelling |
doaj-099d9526497a400b9bc17ded18c58eca2020-11-25T00:40:25ZengInternational Institute of Informatics and CyberneticsJournal of Systemics, Cybernetics and Informatics1690-45242013-06-011154447Parametric Analysis of Acoustical Requirements for Lateral Reflections: Melbourne Recital Hall Case StudyErica Claustro0Jacquelyn Haas1 New Jersey Institute of Technology New Jersey Institute of Technology This paper is an investigation of the Melbourne Recital Centre as a case study to define the parameters necessary for good acoustical quality as it relates to the Binaural Quality Index and determining the intimacy of the hall by its initial time delay gap. The Melbourne Recital Centre, designed by Ashton Raggatt McDougall Architects, is a significant case study, as its design was driven by the acoustic requirements of reflection and diffusion through Odeon Acoustical Software. It achieves the same acoustical quality of older, ornately designed shoebox concert halls, from the perspective of contemporary design and fabrication tools and techniques. The sleek design of the Melbourne Recital Centre successfully reflects sound waves in low, mid, and high frequencies due to corresponding wall panel differentiation in the corresponding scales, as engineered by Arup Acoustics.http://www.iiisci.org/Journal/CV$/sci/pdfs/IDC487AU.pdf |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Erica Claustro Jacquelyn Haas |
spellingShingle |
Erica Claustro Jacquelyn Haas Parametric Analysis of Acoustical Requirements for Lateral Reflections: Melbourne Recital Hall Case Study Journal of Systemics, Cybernetics and Informatics |
author_facet |
Erica Claustro Jacquelyn Haas |
author_sort |
Erica Claustro |
title |
Parametric Analysis of Acoustical Requirements for Lateral Reflections: Melbourne Recital Hall Case Study |
title_short |
Parametric Analysis of Acoustical Requirements for Lateral Reflections: Melbourne Recital Hall Case Study |
title_full |
Parametric Analysis of Acoustical Requirements for Lateral Reflections: Melbourne Recital Hall Case Study |
title_fullStr |
Parametric Analysis of Acoustical Requirements for Lateral Reflections: Melbourne Recital Hall Case Study |
title_full_unstemmed |
Parametric Analysis of Acoustical Requirements for Lateral Reflections: Melbourne Recital Hall Case Study |
title_sort |
parametric analysis of acoustical requirements for lateral reflections: melbourne recital hall case study |
publisher |
International Institute of Informatics and Cybernetics |
series |
Journal of Systemics, Cybernetics and Informatics |
issn |
1690-4524 |
publishDate |
2013-06-01 |
description |
This paper is an investigation of the Melbourne Recital Centre as a case study to define the parameters necessary for good acoustical quality as it relates to the Binaural Quality Index and determining the intimacy of the hall by its initial time delay gap. The Melbourne Recital Centre, designed by Ashton Raggatt McDougall Architects, is a significant case study, as its design was driven by the acoustic requirements of reflection and diffusion through Odeon Acoustical Software. It achieves the same acoustical quality of older, ornately designed shoebox concert halls, from the perspective of contemporary design and fabrication tools and techniques. The sleek design of the Melbourne Recital Centre successfully reflects sound waves in low, mid, and high frequencies due to corresponding wall panel differentiation in the corresponding scales, as engineered by Arup Acoustics. |
url |
http://www.iiisci.org/Journal/CV$/sci/pdfs/IDC487AU.pdf
|
work_keys_str_mv |
AT ericaclaustro parametricanalysisofacousticalrequirementsforlateralreflectionsmelbournerecitalhallcasestudy AT jacquelynhaas parametricanalysisofacousticalrequirementsforlateralreflectionsmelbournerecitalhallcasestudy |
_version_ |
1725290265783042048 |