Pellicole in transizione: il cinema privato come testo aperto e dispositivo della memoria
The paper analyses the multiple ways of re-appropriation and rewriting of amateur footage, actions significantly able to turn the original private materials into powerful collective memory-making devices. The Archive – and the multidisciplinary stages of the archival treatment – plays a key-role in...
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| Format: | Article |
| Language: | English |
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University of Bologna
2015-11-01
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| Series: | Cinergie |
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| Online Access: | https://cinergie.unibo.it/article/view/6902 |
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Article |
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doaj-095ecfe8425643038ce17ccb4542414c2020-11-25T00:47:50ZengUniversity of BolognaCinergie2280-94812015-11-0148233110.6092/issn.2280-9481/69026251Pellicole in transizione: il cinema privato come testo aperto e dispositivo della memoriaPaolo Simoni0Associazione Home Movies-BolognaThe paper analyses the multiple ways of re-appropriation and rewriting of amateur footage, actions significantly able to turn the original private materials into powerful collective memory-making devices. The Archive – and the multidisciplinary stages of the archival treatment – plays a key-role in this remediation process, giving a new and unexpected life to home movies, in constant transition through their re-use in different contexts, as in the experience here described, an 8mm camera-car by Eros Parmeggiani, filmed in 1969 along the nearly inaugurated beltway north of Bologna.https://cinergie.unibo.it/article/view/6902home movieEros ParmeggianiBologna |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Paolo Simoni |
| spellingShingle |
Paolo Simoni Pellicole in transizione: il cinema privato come testo aperto e dispositivo della memoria Cinergie home movie Eros Parmeggiani Bologna |
| author_facet |
Paolo Simoni |
| author_sort |
Paolo Simoni |
| title |
Pellicole in transizione: il cinema privato come testo aperto e dispositivo della memoria |
| title_short |
Pellicole in transizione: il cinema privato come testo aperto e dispositivo della memoria |
| title_full |
Pellicole in transizione: il cinema privato come testo aperto e dispositivo della memoria |
| title_fullStr |
Pellicole in transizione: il cinema privato come testo aperto e dispositivo della memoria |
| title_full_unstemmed |
Pellicole in transizione: il cinema privato come testo aperto e dispositivo della memoria |
| title_sort |
pellicole in transizione: il cinema privato come testo aperto e dispositivo della memoria |
| publisher |
University of Bologna |
| series |
Cinergie |
| issn |
2280-9481 |
| publishDate |
2015-11-01 |
| description |
The paper analyses the multiple ways of re-appropriation and rewriting of amateur footage, actions significantly able to turn the original private materials into powerful collective memory-making devices. The Archive – and the multidisciplinary stages of the archival treatment – plays a key-role in this remediation process, giving a new and unexpected life to home movies, in constant transition through their re-use in different contexts, as in the experience here described, an 8mm camera-car by Eros Parmeggiani, filmed in 1969 along the nearly inaugurated beltway north of Bologna. |
| topic |
home movie Eros Parmeggiani Bologna |
| url |
https://cinergie.unibo.it/article/view/6902 |
| work_keys_str_mv |
AT paolosimoni pellicoleintransizioneilcinemaprivatocometestoapertoedispositivodellamemoria |
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1725258321717362688 |