| Summary: | The present article consists in notes from research in progress. They address Washington Cucurto’s writing device with respect to the “negro”’s golden dick that the narrator/character Tyson Grande/Washington Cucurto/Norberto Vega implants into himself in Las aventuras del Señor Maíz (2005). We argue that such chirurgical and body prosthesis exhibits forces (in a Deleuzian sense) which govern all of Cucurto’s/Vega’s production: social, economic, sexual and Latin American cultural forces. The golden dick is, then, a poetic condensation which exhibits the writing machine as a melancholic beast in whose body forces in struggle for literature become destabilized.
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