Phénomènes de circulations en festival : l’influence des nouvelles technologies
For the last few years, online film festivals have flourished. These events offer, through a website, the download of programmed films. This — unexpected — development of the world of festivals in the field of new technologies gives a tremendous boost to the circulation of cinematographic works; but...
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Université Toulouse - Jean Jaurès
2015-02-01
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Online Access: | http://journals.openedition.org/miranda/6330 |
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doaj-0900431b12104655ae4814841ce7e8ad2020-11-24T21:01:22ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592015-02-011010.4000/miranda.6330Phénomènes de circulations en festival : l’influence des nouvelles technologiesChristel TaillibertFor the last few years, online film festivals have flourished. These events offer, through a website, the download of programmed films. This — unexpected — development of the world of festivals in the field of new technologies gives a tremendous boost to the circulation of cinematographic works; but at the same time, the “cyber festival fan” involves one individual, alone in front of his machine, even though, historically speaking, festivals have clearly adopted positions in favour of a collective, convivial, reception of works. The purpose of this article is to question this change, to evaluate online festivals' ability to remain a structuring element for an online community, virtual, therefore fluctuating. How should we rethink the festivals’ role of mediator in this context of accelerated and exacerbated circulation of works resulting from their advent on the Web?http://journals.openedition.org/miranda/6330festivalonline festivalcirculationInternet |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Christel Taillibert |
spellingShingle |
Christel Taillibert Phénomènes de circulations en festival : l’influence des nouvelles technologies Miranda: Revue Pluridisciplinaire du Monde Anglophone festival online festival circulation Internet |
author_facet |
Christel Taillibert |
author_sort |
Christel Taillibert |
title |
Phénomènes de circulations en festival : l’influence des nouvelles technologies |
title_short |
Phénomènes de circulations en festival : l’influence des nouvelles technologies |
title_full |
Phénomènes de circulations en festival : l’influence des nouvelles technologies |
title_fullStr |
Phénomènes de circulations en festival : l’influence des nouvelles technologies |
title_full_unstemmed |
Phénomènes de circulations en festival : l’influence des nouvelles technologies |
title_sort |
phénomènes de circulations en festival : l’influence des nouvelles technologies |
publisher |
Université Toulouse - Jean Jaurès |
series |
Miranda: Revue Pluridisciplinaire du Monde Anglophone |
issn |
2108-6559 |
publishDate |
2015-02-01 |
description |
For the last few years, online film festivals have flourished. These events offer, through a website, the download of programmed films. This — unexpected — development of the world of festivals in the field of new technologies gives a tremendous boost to the circulation of cinematographic works; but at the same time, the “cyber festival fan” involves one individual, alone in front of his machine, even though, historically speaking, festivals have clearly adopted positions in favour of a collective, convivial, reception of works. The purpose of this article is to question this change, to evaluate online festivals' ability to remain a structuring element for an online community, virtual, therefore fluctuating. How should we rethink the festivals’ role of mediator in this context of accelerated and exacerbated circulation of works resulting from their advent on the Web? |
topic |
festival online festival circulation Internet |
url |
http://journals.openedition.org/miranda/6330 |
work_keys_str_mv |
AT christeltaillibert phenomenesdecirculationsenfestivallinfluencedesnouvellestechnologies |
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1716778231977213952 |