Review of Brendan Prawdzik’s 'Theatrical Milton': The Primacy of Perception
Main Author: | David Marno |
---|---|
Format: | Article |
Language: | English |
Published: |
Open Library of Humanities
2019-05-01
|
Series: | Marvell Studies |
Subjects: | |
Online Access: | https://marvell.openlibhums.org/articles/36 |
Similar Items
-
Confessions of a consort: the role of Meg in The Hostage by Brendan Behan
by: Russo, Carole
Published: (2000) -
Dancing in War. Perception of Theater in Wartime Sarajevo: Pippo Delbono, Giorgio Strehler and Peter Schumann
by: Aida Čopra
Published: (2021-07-01) -
Performers' Perceptions of Auditioning for a Theatrical Production
by: Sharp, Kim T.
Published: (1978) -
Come out you black and tans: an analysis of the rehearsal and performance for the character of Pat in Brendan Behan's play, The Hostage
by: Schuck, Carney Gray
Published: (2000) -
Opera reviews as theatrical criticism /
by: Herrig, Robert Arthur
Published: (1985)