| Summary: | The poetic imaginary that emerges from the <em>porteña</em> culture of the South Pacific is a product of the imagination that responds to a historic scriptural exercise. We review these manifestations from three moments or sensitivities that build an image of the Valparaiso city-port. The journey tale, the modernist gesture and the naturalistic narrative (all of them appear before a major aesthetic-literary product) reveal a way of inhabit the city-port that allows to propose the existence of a culture in conflict with Occident. The passages of these manifestations cannot be read separately from that poetic of the <em>porteño</em> inhabit, but as part of a discourse of the border that declares against the oblivion and in favor of the historic survival of these city-ports
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