| Summary: | In this text, we seek to understand how the verbal and the non-verbal are mobilized by Elisa Lucinda to circulate speeches that materialize meanings of affirmation and resistance that are inscribed in a group of black women. An analytical source, that allowed the contours of this text, was defined, a video in which Lucinda recites her own poem named Mulata Exportação. It was possible to understand that the poem and the video images establish regularity and compose the conditions for the production of her activist speeches. The verbal elements (writing and orality) and non-verbal elements (tones of voice and scenic images) of the speaker are, within the scope of the analyzed corpus, strongly marked by experiences that produce their conditions of existence as a black woman.
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