Bodies of knowledge – anatomy and transparency in contemporary art
Since the 1990s, the growing expansion of a vast array of medical technologies for the visualization of the inner body seems to have revamped, in an improved version, the tradition of the anatomical theatre, fuelling not only the question of the relation between inner and outer body, public and pri...
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Universidade Católica Portuguesa
2014-07-01
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doaj-0852e4a8cf3346038ec0bfa8c10b59c32020-11-25T03:59:55ZengUniversidade Católica PortuguesaJournal of Science and Technology of the Arts1646-97982183-00882014-07-017210.7559/citarj.v7i2.157Bodies of knowledge – anatomy and transparency in contemporary artSilvia Di Marco Since the 1990s, the growing expansion of a vast array of medical technologies for the visualization of the inner body seems to have revamped, in an improved version, the tradition of the anatomical theatre, fuelling not only the question of the relation between inner and outer body, public and private space, visible and invisible objects, but also the problem of the relation between art, science and knowledge. The objective of this article is to shed some light on how contemporary artists engage with the very notion of “knowledge of the inner body” proper of the anatomical tradition. To this aim I briefly summarize some fundamental aspects of such tradition and subsequently examine the work of two artists, Laura Ferguson and Annie Cattrell, as examples of very different approaches to the meaning of the visualization and representation of the inner body in contemporary art. https://revistas.ucp.pt/index.php/jsta/article/view/7451AnatomyDissectionHuman bodyInner bodyContemporary artTransparency |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Silvia Di Marco |
spellingShingle |
Silvia Di Marco Bodies of knowledge – anatomy and transparency in contemporary art Journal of Science and Technology of the Arts Anatomy Dissection Human body Inner body Contemporary art Transparency |
author_facet |
Silvia Di Marco |
author_sort |
Silvia Di Marco |
title |
Bodies of knowledge – anatomy and transparency in contemporary art |
title_short |
Bodies of knowledge – anatomy and transparency in contemporary art |
title_full |
Bodies of knowledge – anatomy and transparency in contemporary art |
title_fullStr |
Bodies of knowledge – anatomy and transparency in contemporary art |
title_full_unstemmed |
Bodies of knowledge – anatomy and transparency in contemporary art |
title_sort |
bodies of knowledge – anatomy and transparency in contemporary art |
publisher |
Universidade Católica Portuguesa |
series |
Journal of Science and Technology of the Arts |
issn |
1646-9798 2183-0088 |
publishDate |
2014-07-01 |
description |
Since the 1990s, the growing expansion of a vast array of medical technologies for the visualization of the inner body seems to have revamped, in an improved version, the tradition of the anatomical theatre, fuelling not only the question of the relation between inner and outer body, public and private space, visible and invisible objects, but also the problem of the relation between art, science and knowledge. The objective of this article is to shed some light on how contemporary artists engage with the very notion of “knowledge of the inner body” proper of the anatomical tradition. To this aim I briefly summarize some fundamental aspects of such tradition and subsequently examine the work of two artists, Laura Ferguson and Annie Cattrell, as examples of very different approaches to the meaning of the visualization and representation of the inner body in contemporary art.
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topic |
Anatomy Dissection Human body Inner body Contemporary art Transparency |
url |
https://revistas.ucp.pt/index.php/jsta/article/view/7451 |
work_keys_str_mv |
AT silviadimarco bodiesofknowledgeanatomyandtransparencyincontemporaryart |
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1724452354910060544 |