Bodies of knowledge – anatomy and transparency in contemporary art

Since the 1990s, the growing expansion of a vast array of medical technologies for the visualization of the inner body seems to have revamped, in an improved version, the tradition of the anatomical theatre, fuelling not only the question of the relation between inner and outer body, public and pri...

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Main Author: Silvia Di Marco
Format: Article
Language:English
Published: Universidade Católica Portuguesa 2014-07-01
Series:Journal of Science and Technology of the Arts
Subjects:
Online Access:https://revistas.ucp.pt/index.php/jsta/article/view/7451
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spelling doaj-0852e4a8cf3346038ec0bfa8c10b59c32020-11-25T03:59:55ZengUniversidade Católica PortuguesaJournal of Science and Technology of the Arts1646-97982183-00882014-07-017210.7559/citarj.v7i2.157Bodies of knowledge – anatomy and transparency in contemporary artSilvia Di Marco Since the 1990s, the growing expansion of a vast array of medical technologies for the visualization of the inner body seems to have revamped, in an improved version, the tradition of the anatomical theatre, fuelling not only the question of the relation between inner and outer body, public and private space, visible and invisible objects, but also the problem of the relation between art, science and knowledge. The objective of this article is to shed some light on how contemporary artists engage with the very notion of “knowledge of the inner body” proper of the anatomical tradition. To this aim I briefly summarize some fundamental aspects of such tradition and subsequently examine the work of two artists, Laura Ferguson and Annie Cattrell, as examples of very different approaches to the meaning of the visualization and representation of the inner body in contemporary art. https://revistas.ucp.pt/index.php/jsta/article/view/7451AnatomyDissectionHuman bodyInner bodyContemporary artTransparency
collection DOAJ
language English
format Article
sources DOAJ
author Silvia Di Marco
spellingShingle Silvia Di Marco
Bodies of knowledge – anatomy and transparency in contemporary art
Journal of Science and Technology of the Arts
Anatomy
Dissection
Human body
Inner body
Contemporary art
Transparency
author_facet Silvia Di Marco
author_sort Silvia Di Marco
title Bodies of knowledge – anatomy and transparency in contemporary art
title_short Bodies of knowledge – anatomy and transparency in contemporary art
title_full Bodies of knowledge – anatomy and transparency in contemporary art
title_fullStr Bodies of knowledge – anatomy and transparency in contemporary art
title_full_unstemmed Bodies of knowledge – anatomy and transparency in contemporary art
title_sort bodies of knowledge – anatomy and transparency in contemporary art
publisher Universidade Católica Portuguesa
series Journal of Science and Technology of the Arts
issn 1646-9798
2183-0088
publishDate 2014-07-01
description Since the 1990s, the growing expansion of a vast array of medical technologies for the visualization of the inner body seems to have revamped, in an improved version, the tradition of the anatomical theatre, fuelling not only the question of the relation between inner and outer body, public and private space, visible and invisible objects, but also the problem of the relation between art, science and knowledge. The objective of this article is to shed some light on how contemporary artists engage with the very notion of “knowledge of the inner body” proper of the anatomical tradition. To this aim I briefly summarize some fundamental aspects of such tradition and subsequently examine the work of two artists, Laura Ferguson and Annie Cattrell, as examples of very different approaches to the meaning of the visualization and representation of the inner body in contemporary art.
topic Anatomy
Dissection
Human body
Inner body
Contemporary art
Transparency
url https://revistas.ucp.pt/index.php/jsta/article/view/7451
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