Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011

Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011

Mime, Music and Drama on the Eighteenth-Century Stage by Edward Nye (Cambridge University Press, 2011) has the merit of inspiring a strong reflection on ballet d'action, connected with cultural, literaturary and philosophic environment of Eighteenth century. The author, with brilliant insight a...

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Bibliographic Details
Main Author: Stefania Onesti
Format: Article
Language:Italian
Published: University of Bologna 2012-11-01
Series:Danza e Ricerca
Online Access:http://danzaericerca.unibo.it/article/view/3276
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spelling doaj-0838f0b397364e6f941379570e266c9d2020-11-24T20:54:40ZitaUniversity of BolognaDanza e Ricerca2036-15992012-11-01201232592703066Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011Stefania OnestiMime, Music and Drama on the Eighteenth-Century Stage by Edward Nye (Cambridge University Press, 2011) has the merit of inspiring a strong reflection on ballet d'action, connected with cultural, literaturary and philosophic environment of Eighteenth century. The author, with brilliant insight and careful historical research, explores the most debated issues of the new genre, providing an unusual interpretation. The review traces the focal points and the structure of the book, developing further consideration of some of the most challenging aspects offered by the text.http://danzaericerca.unibo.it/article/view/3276
collection DOAJ
language Italian
format Article
sources DOAJ
author Stefania Onesti
spellingShingle Stefania Onesti
Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011
Danza e Ricerca
author_facet Stefania Onesti
author_sort Stefania Onesti
title Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011
title_short Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011
title_full Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011
title_fullStr Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011
title_full_unstemmed Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011
title_sort mime, music and drama on the eighteenth-century stage. the ballet d'action. edward nye, cambridge-new york, cambridge university press, 2011
publisher University of Bologna
series Danza e Ricerca
issn 2036-1599
publishDate 2012-11-01
description Mime, Music and Drama on the Eighteenth-Century Stage by Edward Nye (Cambridge University Press, 2011) has the merit of inspiring a strong reflection on ballet d'action, connected with cultural, literaturary and philosophic environment of Eighteenth century. The author, with brilliant insight and careful historical research, explores the most debated issues of the new genre, providing an unusual interpretation. The review traces the focal points and the structure of the book, developing further consideration of some of the most challenging aspects offered by the text.
url http://danzaericerca.unibo.it/article/view/3276
work_keys_str_mv AT stefaniaonesti mimemusicanddramaontheeighteenthcenturystagetheballetdactionedwardnyecambridgenewyorkcambridgeuniversitypress2011
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