La représentation cinématographique de la peur face à l’étranger
This article seeks to analyze the way in which the cinema represents the contacts and relationship which are established between foreigners and nationals in the host countries. We will analyze these relations in the movies Un Cuento Chino by Sebastian Borensztein (2011) and The Visitor by Thomas McC...
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Groupe de Recherche Amérique Latine Histoire et Mémoire
2017-12-01
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Series: | Les Cahiers ALHIM |
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Online Access: | http://journals.openedition.org/alhim/5760 |
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doaj-080d185d37ea4f9dbc43af14f26b815f2020-11-25T01:13:37ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752017-12-0134La représentation cinématographique de la peur face à l’étrangerPaola GarcíaThis article seeks to analyze the way in which the cinema represents the contacts and relationship which are established between foreigners and nationals in the host countries. We will analyze these relations in the movies Un Cuento Chino by Sebastian Borensztein (2011) and The Visitor by Thomas McCarthy (2007), from the notion of symbolic borders developed by Marta Rizo Garcia and Vivian Romeu Aldaya (2006b). We will focus on the communicative interactions that occur between the different actors and especially the process prone to engender the acceptance or rejection of foreigners. We show that these two films which are constructed from the vision of the national, pose the question of the report to « the Other-foreigner » and provoke conflicting emotions between confidence and fear.http://journals.openedition.org/alhim/5760cinemaimmigrationimaginary limitshost countriesthe fear of the foreignerLatin American |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Paola García |
spellingShingle |
Paola García La représentation cinématographique de la peur face à l’étranger Les Cahiers ALHIM cinema immigration imaginary limits host countries the fear of the foreigner Latin American |
author_facet |
Paola García |
author_sort |
Paola García |
title |
La représentation cinématographique de la peur face à l’étranger |
title_short |
La représentation cinématographique de la peur face à l’étranger |
title_full |
La représentation cinématographique de la peur face à l’étranger |
title_fullStr |
La représentation cinématographique de la peur face à l’étranger |
title_full_unstemmed |
La représentation cinématographique de la peur face à l’étranger |
title_sort |
la représentation cinématographique de la peur face à l’étranger |
publisher |
Groupe de Recherche Amérique Latine Histoire et Mémoire |
series |
Les Cahiers ALHIM |
issn |
1628-6731 1777-5175 |
publishDate |
2017-12-01 |
description |
This article seeks to analyze the way in which the cinema represents the contacts and relationship which are established between foreigners and nationals in the host countries. We will analyze these relations in the movies Un Cuento Chino by Sebastian Borensztein (2011) and The Visitor by Thomas McCarthy (2007), from the notion of symbolic borders developed by Marta Rizo Garcia and Vivian Romeu Aldaya (2006b). We will focus on the communicative interactions that occur between the different actors and especially the process prone to engender the acceptance or rejection of foreigners. We show that these two films which are constructed from the vision of the national, pose the question of the report to « the Other-foreigner » and provoke conflicting emotions between confidence and fear. |
topic |
cinema immigration imaginary limits host countries the fear of the foreigner Latin American |
url |
http://journals.openedition.org/alhim/5760 |
work_keys_str_mv |
AT paolagarcia larepresentationcinematographiquedelapeurfacealetranger |
_version_ |
1725161171525304320 |