La représentation cinématographique de la peur face à l’étranger

This article seeks to analyze the way in which the cinema represents the contacts and relationship which are established between foreigners and nationals in the host countries. We will analyze these relations in the movies Un Cuento Chino by Sebastian Borensztein (2011) and The Visitor by Thomas McC...

Full description

Bibliographic Details
Main Author: Paola García
Format: Article
Language:Spanish
Published: Groupe de Recherche Amérique Latine Histoire et Mémoire 2017-12-01
Series:Les Cahiers ALHIM
Subjects:
Online Access:http://journals.openedition.org/alhim/5760
id doaj-080d185d37ea4f9dbc43af14f26b815f
record_format Article
spelling doaj-080d185d37ea4f9dbc43af14f26b815f2020-11-25T01:13:37ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752017-12-0134La représentation cinématographique de la peur face à l’étrangerPaola GarcíaThis article seeks to analyze the way in which the cinema represents the contacts and relationship which are established between foreigners and nationals in the host countries. We will analyze these relations in the movies Un Cuento Chino by Sebastian Borensztein (2011) and The Visitor by Thomas McCarthy (2007), from the notion of symbolic borders developed by Marta Rizo Garcia and Vivian Romeu Aldaya (2006b). We will focus on the communicative interactions that occur between the different actors and especially the process prone to engender the acceptance or rejection of foreigners. We show that these two films which are constructed from the vision of the national, pose the question of the report to « the Other-foreigner » and provoke conflicting emotions between confidence and fear.http://journals.openedition.org/alhim/5760cinemaimmigrationimaginary limitshost countriesthe fear of the foreignerLatin American
collection DOAJ
language Spanish
format Article
sources DOAJ
author Paola García
spellingShingle Paola García
La représentation cinématographique de la peur face à l’étranger
Les Cahiers ALHIM
cinema
immigration
imaginary limits
host countries
the fear of the foreigner
Latin American
author_facet Paola García
author_sort Paola García
title La représentation cinématographique de la peur face à l’étranger
title_short La représentation cinématographique de la peur face à l’étranger
title_full La représentation cinématographique de la peur face à l’étranger
title_fullStr La représentation cinématographique de la peur face à l’étranger
title_full_unstemmed La représentation cinématographique de la peur face à l’étranger
title_sort la représentation cinématographique de la peur face à l’étranger
publisher Groupe de Recherche Amérique Latine Histoire et Mémoire
series Les Cahiers ALHIM
issn 1628-6731
1777-5175
publishDate 2017-12-01
description This article seeks to analyze the way in which the cinema represents the contacts and relationship which are established between foreigners and nationals in the host countries. We will analyze these relations in the movies Un Cuento Chino by Sebastian Borensztein (2011) and The Visitor by Thomas McCarthy (2007), from the notion of symbolic borders developed by Marta Rizo Garcia and Vivian Romeu Aldaya (2006b). We will focus on the communicative interactions that occur between the different actors and especially the process prone to engender the acceptance or rejection of foreigners. We show that these two films which are constructed from the vision of the national, pose the question of the report to « the Other-foreigner » and provoke conflicting emotions between confidence and fear.
topic cinema
immigration
imaginary limits
host countries
the fear of the foreigner
Latin American
url http://journals.openedition.org/alhim/5760
work_keys_str_mv AT paolagarcia larepresentationcinematographiquedelapeurfacealetranger
_version_ 1725161171525304320