Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho
Eduardo Coutinho’s contemporary cinema is marked by the interview as a dramatic form, as well as the register of the ongoing encounter between the director and his interviewees. However, this “art of the present”, as called by Consuelo Lins, implies a rarer, denser history-writing project. This pape...
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Pontíficia Universidade Católica de São Paulo
2016-04-01
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Online Access: | http://revistas.pucsp.br/index.php/galaxia/article/view/24255 |
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doaj-07a0cf069aff40c5aaedd35dff0a7c6a2020-11-25T01:01:35ZengPontíficia Universidade Católica de São PauloGaláxia1519-311X1982-25532016-04-011631546510.1590/1982-25542016124255Entre agora e outrora: a escrita da história no cinema de Eduardo CoutinhoClaudia Cardoso Mesquita0UFMGEduardo Coutinho’s contemporary cinema is marked by the interview as a dramatic form, as well as the register of the ongoing encounter between the director and his interviewees. However, this “art of the present”, as called by Consuelo Lins, implies a rarer, denser history-writing project. This paper explores this dimension of his work by comparing two films that are 20 years apart in their making: Twenty years later (1984) and Metalworkers(2004). Their similarities and differences allow us to note, between past and present, mutual insights that Coutinho’s diachronic gesture brings about, which hypothetically constitutes “the present as history”.http://revistas.pucsp.br/index.php/galaxia/article/view/24255Eduardo CoutinhodocumentaryhistoryTwenty years latermetalworkers |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Claudia Cardoso Mesquita |
spellingShingle |
Claudia Cardoso Mesquita Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho Galáxia Eduardo Coutinho documentary history Twenty years later metalworkers |
author_facet |
Claudia Cardoso Mesquita |
author_sort |
Claudia Cardoso Mesquita |
title |
Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho |
title_short |
Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho |
title_full |
Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho |
title_fullStr |
Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho |
title_full_unstemmed |
Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho |
title_sort |
entre agora e outrora: a escrita da história no cinema de eduardo coutinho |
publisher |
Pontíficia Universidade Católica de São Paulo |
series |
Galáxia |
issn |
1519-311X 1982-2553 |
publishDate |
2016-04-01 |
description |
Eduardo Coutinho’s contemporary cinema is marked by the interview as a dramatic form, as well as the register of the ongoing encounter between the director and his interviewees. However, this “art of the present”, as called by Consuelo Lins, implies a rarer, denser history-writing project. This paper explores this dimension of his work by comparing two films that are 20 years apart in their making: Twenty years later (1984) and Metalworkers(2004). Their similarities and differences allow us to note, between past and present, mutual insights that Coutinho’s diachronic gesture brings about, which hypothetically constitutes “the present as history”. |
topic |
Eduardo Coutinho documentary history Twenty years later metalworkers |
url |
http://revistas.pucsp.br/index.php/galaxia/article/view/24255 |
work_keys_str_mv |
AT claudiacardosomesquita entreagoraeoutroraaescritadahistorianocinemadeeduardocoutinho |
_version_ |
1725208443671805952 |