Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho

Eduardo Coutinho’s contemporary cinema is marked by the interview as a dramatic form, as well as the register of the ongoing encounter between the director and his interviewees. However, this “art of the present”, as called by Consuelo Lins, implies a rarer, denser history-writing project. This pape...

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Main Author: Claudia Cardoso Mesquita
Format: Article
Language:English
Published: Pontíficia Universidade Católica de São Paulo 2016-04-01
Series:Galáxia
Subjects:
Online Access:http://revistas.pucsp.br/index.php/galaxia/article/view/24255
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spelling doaj-07a0cf069aff40c5aaedd35dff0a7c6a2020-11-25T01:01:35ZengPontíficia Universidade Católica de São PauloGaláxia1519-311X1982-25532016-04-011631546510.1590/1982-25542016124255Entre agora e outrora: a escrita da história no cinema de Eduardo CoutinhoClaudia Cardoso Mesquita0UFMGEduardo Coutinho’s contemporary cinema is marked by the interview as a dramatic form, as well as the register of the ongoing encounter between the director and his interviewees. However, this “art of the present”, as called by Consuelo Lins, implies a rarer, denser history-writing project. This paper explores this dimension of his work by comparing two films that are 20 years apart in their making: Twenty years later (1984) and Metalworkers(2004). Their similarities and differences allow us to note, between past and present, mutual insights that Coutinho’s diachronic gesture brings about, which hypothetically constitutes “the present as history”.http://revistas.pucsp.br/index.php/galaxia/article/view/24255Eduardo CoutinhodocumentaryhistoryTwenty years latermetalworkers
collection DOAJ
language English
format Article
sources DOAJ
author Claudia Cardoso Mesquita
spellingShingle Claudia Cardoso Mesquita
Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho
Galáxia
Eduardo Coutinho
documentary
history
Twenty years later
metalworkers
author_facet Claudia Cardoso Mesquita
author_sort Claudia Cardoso Mesquita
title Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho
title_short Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho
title_full Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho
title_fullStr Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho
title_full_unstemmed Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho
title_sort entre agora e outrora: a escrita da história no cinema de eduardo coutinho
publisher Pontíficia Universidade Católica de São Paulo
series Galáxia
issn 1519-311X
1982-2553
publishDate 2016-04-01
description Eduardo Coutinho’s contemporary cinema is marked by the interview as a dramatic form, as well as the register of the ongoing encounter between the director and his interviewees. However, this “art of the present”, as called by Consuelo Lins, implies a rarer, denser history-writing project. This paper explores this dimension of his work by comparing two films that are 20 years apart in their making: Twenty years later (1984) and Metalworkers(2004). Their similarities and differences allow us to note, between past and present, mutual insights that Coutinho’s diachronic gesture brings about, which hypothetically constitutes “the present as history”.
topic Eduardo Coutinho
documentary
history
Twenty years later
metalworkers
url http://revistas.pucsp.br/index.php/galaxia/article/view/24255
work_keys_str_mv AT claudiacardosomesquita entreagoraeoutroraaescritadahistorianocinemadeeduardocoutinho
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